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Abstract: This article analyzes the synthetic function of the borders in the novel Marguerite Hamlin “Deadline” (2010) relating to the modification of the genre “novel concentration camp” and combining documentary and artistic beginning. Border fiction n non-fiction complemented oppositions and inclusion in the narrative components detective and a fairy tale.
Key words: СONCENTRATION CAMP NOVEL GENRE, BORDER, DOCUMENTARY, ARTISTIC

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Podavylova, I. A. Internal Borders in M. Hemlin’s Novel “Extreme” / I. A. Podavylova // Philological Class. – 2014. – №1 (35). – P. 92 - 95.