Transcendence of Familiar: a Microcosm of One-act Petrushevskaya's Plays
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Abstract: This article is about poetic of L. Petrushevskaya's one-act drama. The methods of image compression in the world one-act dramatic action. Attention is paid to the problem of the place of action and organization of the stage space in the play “Hail Mary, Mother!” Problem space develops into a one-act drama text from local territorial conflicts to an existential level.
Key words: PETRUSHEVSKAYA, ONE-ACT PLAY, SCENE, SPACE, ARTISTIC WORLD
Merkotun, E. A. Transcendence of Familiar: a Microcosm of One-act Petrushevskaya's Plays / E. A. Merkotun . In Philological Class. 2013. №1 (31). P. 33-36.