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Рубрика: CONCEPTIONS. PROGRAMS. HYPOTHESES

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I. L. Savkina

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O. A. Solopova K. A. Naumova

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M. Weisskopf

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Y. G. Tkachenko

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O. V. Tomberg

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N. B. Kardanova

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S. V. Somova

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Рубрика: THEORY AND METHODS OF TEACHING PHILOLOGICAL SUBJECTS IN SCHOOLS AND UNIVERSITIES

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E. V. Erofeeva O. L. Sokolova

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I. A. Gonchar T. I. Popova

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G. I. Danilina O. V. Khavraleva

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S. G. Sheydayeva

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L. I. Donetskikh E. V. Tuktangulova

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E. S. Kvashnina

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Рубрика: THERE IS A LESSON

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O. N. Pushkina

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G. S. Ivanenko

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A. V. Kubasov

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T. N. Markova

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N. P. Khryashcheva

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L. G. Khoreva

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V. N. Terekhina N. V. Mikhalenko

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A. V. Petrov N. V. Yarina

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Arias-Vikhil M. A.

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№4 (54)

«TO UNDERSTAND THE LOGIC OF MISFORTUNE»: TACTICS AND STRATEGIES OF HUMAN AND PROFESSIONAL SURVIVAL IN THE YEARS OF REVOLUTIONARY CHANGE (BASED ON WRITERS’ DIARIES)

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ENMITY AND ENEMY IN AXIOLOGICAL SPHERE OF OLD ENGLISH LITERATURE

THE DESTINY OF A VENETIAN CRAFTSMAN IN PETER THE GREAT’S RUSSIA AND THE DESTINY OF A GENRE: THE TSAR’S GRAMOTA FOR SAFE CONDUCT IN THE CONTEXT OF DIPLOMATIC CORRESPONDANCE BETWEEN RUSSIA AND THE REPUBLIC OF VENICE

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THEATER PEDAGOGY TECHNIQUES AS A MEANS OF PERSONAL INTERPRETATION OF THE TEXT OF A WORK OF LITERATURE

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DETERMINING THE AUTHOR'S POSITION: FIVE STAGES OF THE COGNITIVE PROCESS OF INFORMATION DECODING

ARTISTIC RECEPTION BY I. S. TURGENEV IN THE PROSE BY A. P. CHEKHOV

COVER VERSIONS OF N. ZABOLOTSKY'S POEM «UGLY GIRL» AS DIALOGUE WITH SOVIET CULTURE

METHODS OF TRANSLATION OF NATURAL CONSCIOUSNESS IN «THE NOTCHES» BY V. P. ASTAFYEV (ON THE EXAMPLE OF ANALYSIS OF THE LYRICAL MINIATURES «SUMMER LIGHTNING» AND «RICH EAR OF WHEAT»)

ARTHUR SCHNITZLER’S PROSE IN THE CONTEXT OF VIENNESE MODERNISM’S CULTURE

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