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Рубрика: PROJECTS. PROGRAMS. HYPOTHESES

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O. V. Zyryanov

Article:

8-15

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A. I. Zherebin

Article:

16-22

Рубрика: EMIGRATION. INNER EMIGRATION. EXILE

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V. V. Borisova

Article:

23-27

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A. V. Grigorovskaya

Article:

28-33

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L. A. Zaks

Article:

34-43

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T. Megrelishvili

Article:

44-50

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N. A. Nikulina V. Y. Templing

Article:

51-57

Рубрика: PROBLEMS OF MODERN LINGUISTICS

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L. G. Babenko Y. Cui

Article:

58-66

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N. B. Ruzhentseva E. A. Nakhimova

Article:

67-74

Рубрика: THEORY AND METHODS OF TEACHING PHILOLOGICAL SUBJECTS IN SCHOOLS AND UNIVERSITIES

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Е. V. Dziuba

Article:

75-82

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L. E. Vesnina I. V. Kirilova

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83-88

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T. V. Kuprina, A. Petrikova, М. Mishenkova

Article:

89-96

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N. S. Bochkareva

Article:

97-101

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N. V. Nalegach

Article:

102-107

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K. S. Kogut

Article:

108-113

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T. G. Kuchina

Article:

108-113

Рубрика: VOICES OF THE SILVER AGE

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Y. M. Bryukhanova

Article:

119-124

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N. V. Pestova

Article:

125-129

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V. G. Andreeva

Article:

130-135

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O. M. Ushakova

Article:

136-143

Рубрика: DIRECTIONS OF THE MODERN LITERARY PROCESS

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E. V. Kazakova T. A. Sharypina

Article:

144-151

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Article:

152-157

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O. G. Sidorova T. S. Kuznetsova

Article:

158-164

Рубрика: FROM THE YOUNG SCIENTIST'S DESKTOP

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S. A. Kharlamova

Article:

165-169

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E. A. Safonova

Article:

170-174

Рубрика: REVIEWS

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N. V. Barkovskaya G. Giuliano J. Ljuckanov

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175-179

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O. Y. Aleynikov

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180-183

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E. G. Dotsenko

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184-187

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L. V. Egorova

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188-192

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T. V. Zvereva

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193-196

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№1 (55)

PROBLEMS AND METHODS OF MODERN ETHNOPOETICS

FRANZ KAFKA’S “THE JUDGEMENT” AND THE PETERSBURG TEXT OF RUSSIAN LITERATURE

EPISTOLARY OF F. M. DOSTOEVSKY DURING THE PERIOD OF KATORGA AND EXILE: SALVATION CODE

THE SELF-REFLECTION OF EMIGRANT IN AYN RAND’S ART WORKS

RESOLVING INNER EMIGRATION IN O. MANDELSTAM POETRY

THE FUNCTIONING OF BIBLICAL METAPHOR OF EXILE/EXODUS IN A MEMOIR DISCOURSE (ON THE MATERIAL OF MEMOIR TEXTS RUSSIAN EMIGRATION “FIRST WAVE”)

INTENTION TO SERVE “THE SACROSANCT TRUTH” IN THE EXPERIENCE OF THE THINKER LONE WOLDEMAR SCHMIDT

LEXICAL-SEMANTIC FIELD OF GOODNESS: COMMON AND NATIONAL-SPECIFIC (WITH REFERENCE TO RUSSIAN AND CHINESE LANGUAGES)

TEXT’S SUBJECTIVE ORGANIZATION AS MANIFESTATION OF CHINESE SPEAKERS’ ETHNIC IDENTITY (ON THE BASIS OF PORTRAIT ESSAY)

COGNITIVE STRATEGIES OF RUSSIA’S IMAGE PRESENTATION IN FOREIGN TEXTBOOKS IN RUSSIAN AS A FOREIGN LANGUAGE FOR SLAVIC LANGUAGES SPEAKERS

IMAGE OF RUSSIA IN CHINESE TEXTBOOK IN RUSSIAN AS A FOREIGN LANGUAGE: AXIOLOGICAL ASPECT

LINGUISTIC AND SOCIO-CULTURAL PROBLEMS OF EDUCATIONAL MIGRATION IN RUSSIA AND SLOVAKIA (ON EXAMPLE OF SCHOOLS IN EKATERINBURG AND PRESHOV)

TO THE ISSUE OF TEACHING WEST EUROPEAN ROMANTICISM AT UNIVERSITY (USING TEACHING GUIDES BY R. F. YASHENKINA)

PRINCIPLES OF COMPILING GYMNASIUM TEXTBOOKS ON THE “HISTORY OF RUSSIAN LITERATURE”: ON THE ISSUE OF DOMESTIC PEDAGOGICAL TRADITIONS

DERZHAVIN’S SPIRITUAL ODES IN LITERATURE LESSONS IN THE 9TH GRADE

METHODS AND WAYS USED FOR THE ANALYSIS OF CONTEMPORARY RUSSIAN POETRY IN SENIOR SCHOOL

FORM AND CONTENT: THE ESSENCE OF BEAUTY IN THE WORKS OF BORIS PASTERNAK

THE POEM “THE DREAMING BOYS” BY OSCAR KOKOSHKA AS A LITTLE MASTERPIECE OF EXPRESSIONISM: OWN AND ALIEN

PROBLEM OF A RATIO OF THE POINTS OF VIEW IN THE NOVEL “FOMA GORDEYEV” BY MAXIM GORKY

INVITATION TO THE DANCE: INTERMEDIAL ALLUSIONS IN T. S. ELIOT’S EARLY POETRY (“THE DEATH OF SAINT NARCISSUS”, “SUPPRESSED COMPLEX”)

THE CHARACTER OF REYNARD THE FOX IN THE CHILDREN’S LITERATURE OF FRANCE, GERMANY AND LUXEMBURG (SECOND HALF OF THE 20TH – BEGINNING OF THE 21ST CENTURIES)

THE CHARACTER OF THE COLLECTOR AS A CREATIVE SUBJECT IN THE GERMAN AND RUSSIAN NOVELS AFTER 1980

NATIONAL LITERARY CANON UNDER TRANSLATION

TRANSFORMATION OF ENGLISH VICTORIAN NONSENSE IN THE 20TH CENTURY: LEWIS CARROLL AND JOHN LENNON

THE IMAGE OF A CHILD IN THE LYRICS OF IRINA KNORRING

EMIGRATION, INNER EMIGRATION, EXILE, CAMP: THE COMMON AND THE SPECIFIC IN THE WRITER’S SELF-CONSCIOUSNESS

ANDREY PLATONOV AND LITERARY MOSCOW OF THE 1920S –1940S: RESEARCH AND RECONSTRUCTION

SHAKESPEARE AND EQUIVOCATION

SHAKESPEARE’S SONNETS IN RUSSIAN

“EMPIRE OF THE EKPHRASIS”, OR CONVERSATION ABOUT INTERMEDIAL