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• ---- SECRETS OF THE OCEAN OF N. GAIMAN (A LESSON BASED ON THE NOVEL «THE OCEAN AT THE END OF THE LANE»)
• ---- SOMOV'S ROCOCO: PLAYFUL AND SERIOUS
• ---- THE FLIPPED CLASSROOM IN FOREIGN LANGUAGE TEACHING: DIDACTIC PRINCIPLES AND ANALYSIS OF EXPERIENCE
• ---- THE NARRATIVE STRATEGIES AS A REFLECTION OF THE NATIONAL MENTALITY IN THE NOVEL OF JULIO CORTÁZAR «RAYUELA»
• ---- THE STRUCTURE OF ONLINE EDUCATIONAL RESOURCE ON RUSSIAN AS FOREIGN LANGUAGE: APPROACHES TO MODELLING COMMUNICATION
• ---- THEATER PEDAGOGY TECHNIQUES AS A MEANS OF PERSONAL INTERPRETATION OF THE TEXT OF A WORK OF LITERATURE
• ---- THEORETICAL AND PRACTICAL ASPECTS OF THE IMPLEMENTATION OF TECHNOLOGY OF THE PROBLEM-SOLVING EDUCATION AT RUSSIAN LANGUAGE LESSONS IN SECONDARY SCHOOL
• ---- «TO UNDERSTAND THE LOGIC OF MISFORTUNE»: TACTICS AND STRATEGIES OF HUMAN AND PROFESSIONAL SURVIVAL IN THE YEARS OF REVOLUTIONARY CHANGE (BASED ON WRITERS’ DIARIES)
• ---- VLADIMIR MAYAKOVSKY AS ELEMENT OF THE WORLD ART HERITAGE: FOLLOWING AN INTERNATIONAL SCIENTIFIC CONFERENCE
• ---- «WHY SHE WAS NAKED», OR THE GENRE STRATEGIES OF ERSATZ-LITERATURE
• --- №1 (51)
• ---- CAN PSEUDO-DOCUMENTARY CHANGE HISTORY? (ALEXEY FEDORCHENKO’S FILM «FIRST ON THE MOON»)
• ---- CLASSICS IN THE LIGHT OF SELF-REFLECTION ON RUSSIAN CULTURE
• ---- COGNITIVE ASPECTS OF ANTHROPOCENTRIC MODELING LINGUISTIC WORLDVIEW
• ---- GENRE — PERSONALITY — MEANING: EDUCATIONAL RESOURCE OF LITERATURE CLASS IN 10TH GRADE BASED ON THE ESSAY BY DRAGUNSKIJ D. V.
• ---- «LIKE LOOSING AT ROULETTE»: MOTIVE AND TOPIC OF GAMBLING IN THE NOVEL «SMOKE» BY I. S. TURGENEV
• ---- LINGUISTIC PERSONA OF HIGH SCHOOL GRADUATE IN A MIRROR OF THE STATE FINAL EXAM IN RUSSIA
• ---- LITERATURE LESSON IN THE LIGHT OF METHODOLOGICAL IDEAS OF R. F. BRANDESOV
• ---- METHODOLOGICAL LEGACY OF R. F. BRANDESOV IN THE CONTEXT OF MODERNITY
• ---- MODERN СITY IMAGE IN NEWER RUSSIAN POETRY
• ---- NEOROMANTISM IN RUSSIAN POETRY OF THE XX–XXI CENTURIES: MEANING AND SCOPE OF THE CONCEPT
• ---- PSEUDO-DOCUMENTARY: SEMANTICS AND PRAGMATICS (BASED ON A. FEDORCHENKO’S AND M. MESTETSKY'S FILMS)
• ---- RUSSIAN LITERATURE OF THE 18TH CENTURY AS A PHENOMENAL ARTISTIC AND PHILOSOPHICAL EXPERIMENT
• ---- SELF-AWARENESS OF SCIENCE ON LITERATURE
• ---- SURIKOV AS REFLECTED IN THE RUSSIAN POETRY OF THE XX CENTURY
• ---- TEACHING VOCABULARY TO BEGINNERS AT THE LESSONS OF RUSSIAN AS A FOREIGN LANGUAGE: TOPIC «CITY AND TRANSPORT»
• ---- TEXT AND MEMORY
• ---- THE CONCEPTS «MEMORY» AND «LANGUAGE» IN BRODSKY’S POETIC CYCLE «PART OF SPEECH»
• ---- THE INFLUENCE OF RUSSIAN SYMBOLISM LITERARY STUDIES ON THE THEORY OF LITERATURE OF 1910S — 1920S (ANDREY BELY)
• ---- THE PUBLISHING HISTORY OF THE NOVEL «FEAR» / «FIRE» BY V. MAKANIN: THE BIRTH AND TRANSFORMATION OF THE TEXT
• ---- «THE WORD THAT CONQUERED DEATH» (A. AKHMATOVA AND J. BRODSKY: «TWO VOICES ARE EXCHANGING VIEWS»)
• ---- TOWARDS THE DREAM (OR BACKWARDS) ON ALEXEY FEDORCHENKO’S FILM «FIRST ON THE MOON»
• ---- TRADITIONS AND INNOVATIONS IN LITERATURE TEACHING
• ---- TRANSFORMATION OF THE IMAGE OF «TURGENEV’S GIRL» IN MODERN RUSSIAN PROSE
• ---- «VIGILANCE THAT UNRAVELS THE POETRY…»: LESSON-WORKSHOP ON THE LYRICS OF A. FET IN 10TH GRADE
• ---- WREATH OF ROSES»: I. MYATLEV, I. S. TURGENEV, I. SEVERYANIN
• ---- YEAR OF RASPUTIN
• -- 2019
• --- №1 (55)
• ---- ANDREY PLATONOV AND LITERARY MOSCOW OF THE 1920S –1940S: RESEARCH AND RECONSTRUCTION
• ---- COGNITIVE STRATEGIES OF RUSSIA’S IMAGE PRESENTATION IN FOREIGN TEXTBOOKS IN RUSSIAN AS A FOREIGN LANGUAGE FOR SLAVIC LANGUAGES SPEAKERS
• ---- DERZHAVIN’S SPIRITUAL ODES IN LITERATURE LESSONS IN THE 9TH GRADE
• ---- EMIGRATION, INNER EMIGRATION, EXILE, CAMP: THE COMMON AND THE SPECIFIC IN THE WRITER’S SELF-CONSCIOUSNESS
• ---- “EMPIRE OF THE EKPHRASIS”, OR CONVERSATION ABOUT INTERMEDIAL
• ---- EPISTOLARY OF F. M. DOSTOEVSKY DURING THE PERIOD OF KATORGA AND EXILE: SALVATION CODE
• ---- FORM AND CONTENT: THE ESSENCE OF BEAUTY IN THE WORKS OF BORIS PASTERNAK
• ---- FRANZ KAFKA’S “THE JUDGEMENT” AND THE PETERSBURG TEXT OF RUSSIAN LITERATURE
• ---- IMAGE OF RUSSIA IN CHINESE TEXTBOOK IN RUSSIAN AS A FOREIGN LANGUAGE: AXIOLOGICAL ASPECT
• ---- INTENTION TO SERVE “THE SACROSANCT TRUTH” IN THE EXPERIENCE OF THE THINKER LONE WOLDEMAR SCHMIDT
• ---- INVITATION TO THE DANCE: INTERMEDIAL ALLUSIONS IN T. S. ELIOT’S EARLY POETRY (“THE DEATH OF SAINT NARCISSUS”, “SUPPRESSED COMPLEX”)
• ---- LEXICAL-SEMANTIC FIELD OF GOODNESS: COMMON AND NATIONAL-SPECIFIC (WITH REFERENCE TO RUSSIAN AND CHINESE LANGUAGES)
• ---- LINGUISTIC AND SOCIO-CULTURAL PROBLEMS OF EDUCATIONAL MIGRATION IN RUSSIA AND SLOVAKIA (ON EXAMPLE OF SCHOOLS IN EKATERINBURG AND PRESHOV)
• ---- METHODS AND WAYS USED FOR THE ANALYSIS OF CONTEMPORARY RUSSIAN POETRY IN SENIOR SCHOOL
• ---- NATIONAL LITERARY CANON UNDER TRANSLATION
• ---- PRINCIPLES OF COMPILING GYMNASIUM TEXTBOOKS ON THE “HISTORY OF RUSSIAN LITERATURE”: ON THE ISSUE OF DOMESTIC PEDAGOGICAL TRADITIONS
• ---- PROBLEM OF A RATIO OF THE POINTS OF VIEW IN THE NOVEL “FOMA GORDEYEV” BY MAXIM GORKY
• ---- PROBLEMS AND METHODS OF MODERN ETHNOPOETICS
• ---- RESOLVING INNER EMIGRATION IN O. MANDELSTAM POETRY
• ---- SHAKESPEARE AND EQUIVOCATION
• ---- SHAKESPEARE’S SONNETS IN RUSSIAN
• ---- TEXT’S SUBJECTIVE ORGANIZATION AS MANIFESTATION OF CHINESE SPEAKERS’ ETHNIC IDENTITY (ON THE BASIS OF PORTRAIT ESSAY)
• ---- THE CHARACTER OF REYNARD THE FOX IN THE CHILDREN’S LITERATURE OF FRANCE, GERMANY AND LUXEMBURG (SECOND HALF OF THE 20TH – BEGINNING OF THE 21ST CENTURIES)
• ---- THE CHARACTER OF THE COLLECTOR AS A CREATIVE SUBJECT IN THE GERMAN AND RUSSIAN NOVELS AFTER 1980
• ---- THE FUNCTIONING OF BIBLICAL METAPHOR OF EXILE/EXODUS IN A MEMOIR DISCOURSE (ON THE MATERIAL OF MEMOIR TEXTS RUSSIAN EMIGRATION “FIRST WAVE”)
• ---- THE IMAGE OF A CHILD IN THE LYRICS OF IRINA KNORRING
• ---- THE POEM “THE DREAMING BOYS” BY OSCAR KOKOSHKA AS A LITTLE MASTERPIECE OF EXPRESSIONISM: OWN AND ALIEN
• ---- THE SELF-REFLECTION OF EMIGRANT IN AYN RAND’S ART WORKS
• ---- TO THE ISSUE OF TEACHING WEST EUROPEAN ROMANTICISM AT UNIVERSITY (USING TEACHING GUIDES BY R. F. YASHENKINA)
• ---- TRANSFORMATION OF ENGLISH VICTORIAN NONSENSE IN THE 20TH CENTURY: LEWIS CARROLL AND JOHN LENNON
• --- №2 (56)
• ---- A. S. PUSHKIN, “THE WINTER ROAD”: THE POEM’S RECEPTION IN THE ENGLISH-SPEAKING WORLD THROUGH THE MIRROR OF CLOSE READING
• ---- A. SOLZHENITSYN’S «NAKED PERSON» AGAINST THE BACKGROUND OF „NEW PRISON CAMP PROSE“: PRO ET CONTRA
• ---- “AND THERE WAS NO NEED TO SAY ANYTHING …”: SILENCE IN THE SYSTEM OF MEANS OF EXPRESSION OF THE AUTHOR’S POSITION (“THE NOBLE NEST” BY IVAN TURGENEV)
• ---- AWAKENING IN LANGUAGES IN THE FRAMEWORK OF EXTRA CLASS ACTIVITIES: THEATRICAL PRACTICES
• ---- FROM DECADENCE TO TEURGY (CONNECTIONS IN GENESIS OF CZECH AND RUSSIAN LITERATURE AT THE END OF 19TH AND BEGINNING OF 20TH CENTURY)
• ---- GENRE PECULIARITIES OF H. L. OLDIE’S “SHERLOCK HOLMES VS. MARTIANS”: BETWEEN MASHUP AND CROSSOVER
• ---- INDIVIDUAL STYLE OF A POLITICIAN IN THE LIGHT OF THE COMIC
• ---- MODELLING THE INTERACTION BETWEEN THE SCIENTIFIC CONCEPT “ALTRUISM” AND THE EVERYDAY IDEA OF ALTRUISM IN FRENCH LINGUISTIC CULTURE
• ---- ON ANTROPOCENTRIC APPROACH TO TEXT AND DISCURSIVE TEXT PERCEPTION IN MONOGRAPH BY J. SOKOLOVA "TEXTS – IMAGES – COMMUNICATES"
• ---- PERCEPTION AND DEVELOPING OF ALEXANDER MIKHAILOV’S IDEAS BY THE RUSSIAN SCIENTISTS
• ---- POET AGAINST THE BACKGROUND OF SOCIETY IN THE AESTHETIC PROJECT OF THE RUSSIAN AVANT-GARDE
• ---- POETOLOGY IN ESSAY BOOKS OF A. SKIDAN AND M. STEPANOVA
• ---- “POLITICAL ECONOMY OF EMPATHY” IN THE DECEMBRISTS’ EGO DOCUMENTS AT THE YALUTOROVSK COLONY
• ---- PROFESSIONAL FOREIGN LANGUAGE COURSE FOR INTERNATIONAL STUDENTS: APPROACHES TO CONTENT SELECTION
• ---- REPUTATION IN LITERATURE: NOTES TO THE PROBLEM
• ---- RHETORICAL LACUNES: CAUSES, IMPLICATIONS, WARNING
• ---- RHYTHMIC COMPOSITION OF PUSHKIN’S TRAGEDY «MOZART AND SALIERI»
• ---- SIR WALTER SCOTT’S THE ANTIQUARY: CULTURES, HISTORY, ART AND NARRATIVE ALLIANCES
• ---- SPEECH PORTRAIT AT THE RUSSIAN LANGUAGE LESSON IN THE 8TH GRADE OF SECONDARY SCHOOL
• ---- SPIRITUAL MEASUREMENT OF A HUMAN LIFE: BUNIN`S ARTISTIC REPUTATION AND TEXT`S ACTUALITY
• ---- STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
• ---- SYNTHESIS OF PHILOSOPHY AND ART IN O. WILD’S GOTHIC STORY THE CANTERVILLE GHOST
• ---- THE BEGINNING OF THE PATH: THE STRATEGY OF POETIC SELF-DETERMINATION IN THE EARLY POETRY OF OLGA SKOPICHENKO, MARIA VIZI AND ELENA GROT
• ---- THE NAMES OF THE FOUNDERS OF THE URAL INDUSTRY ON THE MAP OF THE URALS
• ---- THE PLOT OF THE FOOL’S INITIATION IN THE NOVEL BY L. N. TOLSTOY “THE COSSACKS”
• ---- THE PROBLEM OF COLLECTIVE IDENTITY IN GERMAN-SPEAKING PROSE, CREATED BY AUTHORS FROM THE FORMER USSR
• ---- “THE REAL LIFE OF... BORIS RYZHY”: ON THE BOOK “BORIS RYZHY. INTRODUCTION TO MYTHOLOGY” BY ALEXEY MELNIKOV
• ---- “TO BE HIS AQUILINE DOVE”: BIRD IMAGES IN M. TSVETAEVA’S BOOK OF POEMS “REMESLO”
• ---- VALUES OF A. GAIDAR’S HEROES (“TIMUR AND HIS TEAM”)
• ---- WHAT WILL THE LETTERS TELL?: A LITERATURE LESSON ON THE EPISTOLARY NOVEL BY I. KRAEVA “BABA YAGA WRITES” IN THE 6TH GRADE
• ---- WRITER BETWEEN POLITICS, MEDIA AND ENTERTAINMENT INDUSTRY. L. FEUCHTWANGER’S NOVEL “SUCCESS” AND THE CONCEPTION OF ARTIST IN THE “NEUE SACHLICHKEIT”
• --- №3 (57)
• ---- CHILDHOOD – YOUTH – OLD AGE IN THE CREATIVE ACTIVITY OF Z. N. GIPPIUS
• ---- CHINESE WORDS IN MODERN RUSSIAN: SEMANTIC ASPECT
• ---- DEVELOPING STUDENTS’ PROFESSIONAL LINGUAL IDENTITY IN HIGHER EDUCATION (A FOLLOW-UP TO THE INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE)
• ---- EKPHRASIS IN THE NOVEL “SKUTAREVSKY” BY LEONID LEONOV (TO THE 120TH ANNIVERSARY OF THE WRITER’S BIRTH)
• ---- EMOTIONAL TONALITY AS A VALUABLE SUBJECTIVE PARAMETER OF STUDY TEXT FOR RUSSIAN AS FOREIGN LANGUAGE LEARNERS
• ---- FROM CONCEPTION TO TEXT: PARADOXES OF INCOMPLETENESS (“POEM WITHOUT A HERO”, SKETCHES OF A BALLET LIBRETTO AND “PROSE ABOUT A POEM”)
• ---- GERSHENZON ON PUSHKIN’S “IMMANENT PHILOSOPHY” AND “THERMODYNAMIC PSYCHOLOGY”. METAPHOR AND NON-METAPHORICAL MEANING
• ---- “I DIDN’T FIGHT FOR ANYTHING, NEVER LEARNED ANYTHING, HADN’T REACHED ANYTHING ...” LIVSHITS E. K. “I’M NOT DIVORCING THE DEAD!..” MEMOIRS. DIARIES. LETTERS
• ---- KHLEBNIKOV’S INHERITORS: RUSSIAN EXPRESSIONISTS
• ---- METHODS OF TEXT ANALYSIS AS UNIVERSITY SUBJECT: COGNITIVE AND DISCURSIVE ASPECT
• ---- OLYMPIAD IN INTENSIVE READING AS A RESOURCE OF FUNCTIONAL LITERACY FORMATION
• ---- ON A BALLAD INTERPRETATION OF V TU NOCH MY SOSHLI DRUG OT DRUGA S UMA … [THAT NIGHT WE DROVE EACH OTHER WILD …] BY AKHMATOVA (FROM THE POETIC SERIES TASHKENT PAGES)
• ---- ORDINARY LIFE OF DECEMBRISTS BANISHED TO WESTERN SIBERIA (FOLLOWING RECOLLECTIONS, ESSAYS AND MEMOIRS)
• ---- PERCEPTION HISTORY OF PAUL ERNST’S ART IN RUSSIA
• ---- POSTMODERN BIOGRAPHY IN URS WIDMER’S NOVEL “MY FATHER’S BOOK”
• ---- SEMANTIC TRANSFORMATIONS OF FRENCH VOCABULARY IN RUSSIAN LANGAGE
• ---- SPECIFICS OF THE PRESENTATION OF THE IMAGE OF RUSSIA IN TEXTBOOKS OF RUSSIAN AS A FOREIGN LANGUAGE FOR FRANCOPHONES
• ---- THE ASSOCIATION-DERIVATION STRATEGIES OF A LANGUAGE GAME IN THE NICKNAMES OF MODERN YOUTH
• ---- THE CATEGORY OF NON-ADULTHOOD AS A FIELD STRUCTURE IN THE RUSSIAN LANGUAGE PICTURE OF THE WORLD
• ---- THE INFLUENCE OF RUSSIAN SYMBOLISTS’ LITERATURE STUDIES ON V. M. ZHIRMUNSKY’S UNDERSTANDING OF POETICS AS AN ACADEMIC DISCIPLINE
• ---- THE METAPHOR OF THE THEATER IN THE HISTORICAL NOVELS BY HILARY MANTEL ABOUT THOMAS CROMWELL
• ---- THE REVIVAL OF THE GENRE: KEY TRENDS IN THE CONTEMPORARY TRAVELOGUE DEVELOPMENT
• ---- THE SPACE OF LONDON IN THE I. MCEWAN’S NOVELS SATURDAY (2005) AND THE CHILDREN’S ACT (2014)
• ---- THE THEME OF CREATIVITY/POETRY IN CONTEMPORARY LYRICS: A DRAFT LESSON PLAN FOR HIGH SCHOOL CLASSES
• ---- WATER AS A MEANING-GENERATING IMAGE IN THE NOVEL BY FR. WERFEL “BARBARA, OR PIETY”
• --- №4 (58)
• ---- ANDREI PLATONOV AND ROMANTIC YEARNING
• ---- AUTHOR’S THESAURUS AND WORD COMPATIBILITY: LEXICOSTATISTICAL MODELS OF INDIVIDUAL STYLE
• ---- BETWEEN THE CYNIC AND THE TRICKSTER: TOLSTOY’S SURVIVAL STRATEGY IN THE 1930S
• ---- BOOK OF POEMS AS A GENRE IN THE WORKS OF “PEREVAL” POETS (P. DRUZHININ, N. ZARUDIN, D. SEMENOVSKY)
• ---- COGNITIVE STRATEGIES OF RUSSIA’S IMAGE PRESENTATION IN BRITISH TEXTBOOKS OF ENGLISH AS A FOREIGN LANGUAGE
• ---- DIFFICULT CASES OF WORD FORMATION ANALYSIS
• ---- EXISTENTIAL-COMMUNICATIVE TECHNOLOGIES IN LITERATURE LESSONS
• ---- GREAT EXPECTATIONS VS. LOST ILLUSIONS: A HERO-READER IN A MODERN GERMAN NOVEL (BASED ON THE WORKS OF B. SCHLINK DER VORLESER AND J. SCHIMMANG NEUE MITTE)
• ---- THE NOTES FROM UNPUBLISHED A. PLATONOV’S NOTEBOOK: HISTORICAL-LITERARY COMMENTARY AND TEXTOLOGICAL RECONSTRUCTION
• ---- IMAGE OF FAMILY IN THE LINGUISTIC CONSCIOUSNESS OF NATIVE SPEAKERS IN DIFFERENT LINGUACULTURES (ON THE EXAMPLE OF RUSSIA AND SRI LANKA)
• ---- "IT DEPENDS ON THE PERSON HIMSELF TO WHAT EXTENT HIS LIFE IS FILLED WITH BEAUTIFUL AND GREAT..." IN MEMORY OF YULIA MIKHAILOVNA PROSKURINA
• ---- JAZZ AS A PHENOMENON OF THE CULTURE OF REMEMBERANCE IN THE COMTEMPORARY GERMAN-LANGUAGE LITERATURE (MICHAEL KÖHLMEIER’S OCCIDENT AND FRIEDRICH CHRISTIAN DELIUS’ THE FUTURE OF BEAUTY)
• ---- LITERARY REPUTATION OF STANISLAV LEM
• ---- NOVELETTE A MAN FROM THE RESTAURANT BY I.S. SHMELEV AND THE EPONYMOUS FILM BY Y.A. PROTAZANOV: THE POETICS OF VISUALITY AND THE PROBLEM OF FILM ADAPTATION
• ---- ON THE GENRE BOUNDARIES OF THE RUSSIAN ALTERNATE HISTORY NOVEL
• ---- OTHERS AND THE MOON UTOPIA IN THE NOVEL “CHEVENGUR” BY A. PLATONOV
• ---- PHONETIC EXERCISES FOR TEACHING LISTENING COMPREHENSION OF FOREIGN LANGUAGE TEXT (IN THE ASPECT OF RUSSIAN AS A FOREIGN LANGUAGE)
• ---- PLATONOV AND A REPROCH AGAINST KARATAEV PHILOSOPHY: DO MORAL PRINCIPLES UNDERMINE BOLSHEVIST REVOLUTION?
• ---- REMIZOV’S LITERARY PERSON IN CARTOONS AND PARODIES OF HIS CONTEMPORARIES (1906-1916)
• ---- SCHIZOTYPAL NARRATIVE AS A WAY OF CONSTRUCTING FEMALE SUBJECTIVITY IN A. KOZLOVA’S NOVEL F20
• ---- SEMANTICS OF SPACE IN THE ARTISTIC PICTURE OF THE WORLD OF O. F. BERGHOLZ
• ---- SPENGLERIAN IDEAS IN AMERICAN CULTURAL CONSCIOUSNESS
• ---- SYSTEM APPROACH PRINCIPLES IN THE COGNITIVE STUDIES OF LANGUAGE: RELEVANCE AND IMPLEMENTATION
• ---- TRANSFORMATION OF A FAIRY TALE MODEL IN THE A. PLATONOV’S STORY JULY THUNDERSTORM
• ---- WHAT IS THE TRICK? (A SECONDARY SCHOOL LESSON ON THE CREATIVE ACTIVITY OF M.YA. BORODITSKAYA)
• -- 2020
• --- Vol. 25 ⋅ №1
• ---- A. N. Radishcev and N. M. Karamzin in the Ideological Context of “The Captain’s Daughter” by А. S. Pushkin
• ---- A Review of Student Support Services in USA
• ---- Anglicisms Ending in -ing in Russian and Slovak Languages
• ---- Antonymy in the Context of Synonymy: the Principles of Lexicographic Description in the New Ideographic Dictionary
• ---- Graphic Novel Adaptation of “And Quiet Flows the Don” by M. Sholokhov (the Russian-Serbian Comic Strip “The Cossacks”)
• ---- Interactive Lesson as a Macro-Unit of Teaching Russian as a Foreign Language in Short-Term Courses
• ---- Literary Reputation of a Writer of Translated Books: Jane Austen in Russia Case Study
• ---- Methodology of Developing a Professionally-Oriented Course Book for French as a Second Foreign Language
• ---- Mary-Kay Wilmers. Achieving the Desired
• ---- Musical Interpretation as Semantic Emphasis in the Analysis of the Poem “I am a Wild Wind, I Blow Eternally…” by K. D. Balmont in the 11th Grade
• ---- Oneiric Text in I. S. Turgenev’s and V. O. Pelevin’s Short Prose
• ---- Poetics of the Versification System of R. A. Kudasheva’s Fairy-Tales
• ---- Provocation in V. Shukshin’s Artistic Consciousness: Motives and Limits of Testing Meanings
• ---- Speech Genre Potential of Language Play in Children’s Fiction
• ---- The “Fairy Tales of Life” as a Genre Phenomenon of the 1920s.
• ---- Modern Prose at Literature Lessons and in Independent Reading of Senior Secondary School Students
• ---- Modern Didactic Text in Russian: Mechanisms of Perception and Principles of Construction
• ---- Plots of the Future History of 20th Century Russian Literature in “The Chronicle of the Life and Work of S. A. Esenin”
• ---- A Typology of Social Network Users of in the Metaphorical Mirror of the Russian Mass-Media
• ---- “Is Vasily Shukshin a Modern Classic?” (Review of the Round Table Discussion at St. Petersburg International Cultural Forum)
• ---- “The Devil in Love” By A. V. Korolev: Experience of Reconstruction
• ---- The Will of Space and the Flow of Verse. On Akhmadulina’s Poetics of the 1980s (Based on Her Books “The Mystery” and “The Garden”)
• --- Vol. 25 ⋅ №2
• ---- “Angelic Creations” in the V. Rasputin’s Prose: Specificity of Representation, Functions
• ---- Archetypes and Symbols in the Cognitive-Semiotic Text Model
• ---- Body and Soul: the Binary Oppositions in K. Simonov’s Poem You Told Me: “I Love You”…
• ---- V. B. Shklovsky’s Essay “The Protest of Models”: Comments to the Topic
• ---- Grotesque in Bunin’s Prose and Journalist Essays
• ---- From the History of Soviet Chekhovian Studies of the 1920s – 1940s: on Two Editions of “The Portrait of Chekhov’s Creativeness” by A. B. Derman
• ---- Research into Artistic Images within Linguistic Imagology
• ---- Artistic Features of Character Portrait in Symbolist Prose (V.  Ya. Bryusov and A. Bely)
• ---- “Book of the Poet” as “Book of the Artist”: “Imago” by D. Dmitriev
• ---- The Comic in Holocaust Literature: Overcoming Taboo?
• ---- Communicative Situation of Agreement in Business English Class
• ---- The Themes of Loss and Loneliness in Jonathan Coe’s Novel “The Terrible Privacy of Maxwell Sim”
• ---- “Andrey Platonovich and Me – We Were Both Born under the Same Sun…”
• ---- Nicolai M. Karamzin and the Arzamas Members (on the Problem of “N. Karamzin and His Circle”)
• ---- The Number One, or in the Gardens of Artistic Possibilities of Lyudmila Petrushevskaya
• ---- On the Reception of I. S. Turgenev by Austrian Writers of the XIX–XX centuries
• ---- Arrangement of Reading Classes for Foreign Students under Distance Learning Conditions
• ---- Why Do Teenagers Dislike Reading Russian Classical Literature?
• ---- A Poet as an Art Manager: A Maria Osipova Project “Masha Writes” (2018)
• ---- Role of Wedding Ritual Terms in Formation of Cultural Identity of Rusyns in Eastern Slovakia: Ethnolinguistic and Aesthetic Aspects of Research
• ---- The Semantic Subject in Russian Impersonal Sentence
• ---- Systematic Mistake and Its Linguistic Background
• ---- Through genres: artist’s book, art object and ekphrasis of Lyudina Ru / Lyudmila Rusova «Насквозь / Through» (1999)
• ---- Contemporary Russian Political Metaphorology (2011–2020)
• ---- he Contemporary German-Language Novel and a World without the Other
• ---- Code-Switched Insertions in the Speech of a Bilingual Child
• ---- “The Conqueror! Cyrus! Napoleon!”: the Image of Napoleon in the Art World of Joseph Brodsky
• ---- ‘I Know that One Should Write about you Reservedly and Simply’: an Unknown Correspondence between Ivan Bunin and Bulgarian Literary Critic Malcho Nikolov
• --- Vol. 25 ⋅ №3
• ---- Bunin’s Background in Boris Yulsky’s “White Mazurka”
• ---- “What Indifferent Eyes Can Not Sight”: From Written Works to the Understanding of Literature in the 9th Grade
• ---- Didactization of the Russian Germans’ Literature: A Lesson on Victor Klein’s Poem “Jungengespräch”
• ---- Philosophic-Pedagogical Discourse on the Pages of “The Industrious Bee”
• ---- Formation of Linguistic Competence of Junior Pupils in the Context of Education Integration
• ---- Grotesque in the Lyric Poems by S. Esenin and V. Mayakovskiy of the 1920s
• ---- “…A Book is the world apprehensible through the person”. Book review: Pogorelskaya Е.I., Levin S.H. Isaac Babel. Life description. SPb.: Vita Nova, 2020. 624 p., 175 ill. (“Life descriptions”)
• ---- The Components of the Conceptual Category Memory and Its Role in the Production of Semantic Content of Modern Prose Texts
• ---- Conceptualization of the Phenomenon of Women’s Social Position in International Educational Discourse
• ---- Text Linguistics: Traditions and Perspectives
• ---- The Lyric Subject in Modern Russian Poetry: Problems and Perspectives
• ---- “Metaphysical” Lyrics: Basic Definitions in Modern Literary Studies
• ---- The Image of Biysk in Fiction
• ---- Review of the Association for Researching and Applying Metaphor (RaAM) 2020 Conference
• ---- US Fairytales of the First Half of the 20th Century: Constructing the National (Stylistic and Plot Peculiarities)
• ---- Paul Celan in Russia (To the Centennial of His Birth)
• ---- Can a Parody Be Translated? The Russian Translations of W. Thackeray’s Parody “Yellowplush Papers” of the 1850–1860s
• ---- Principles of Design of a Culture-Oriented Russian Language Textbook for Greek Guide-Interpreters
• ---- Symboliс Functions of Pictures in N. Kolyada’s Play “The Boater Hat”
• ---- Lilacs and Hyacinths: Two Symbols of Sadness in T.S. Eliot’s ‘The Waste Land’
• ---- Comparative Analysis of Material Nouns Semantics in Russian and French Languages
• ---- “Staginess” of A. Blok’s Lyric Poetry of 1900–1910 as a Special Form of “Theatricality”
• ---- Judgement Day of Russian Literature. Post-Classical Novel: The Canon and Transgression
• ---- Perception of a Classical Poetic Text by Fan Fiction Readers
• --- Vol. 25 ⋅ №4
• ---- M. M. Bakhtin and the Russian Symbolists
• ---- Boris Volkov. The Return of a Forgotten Name
• ---- Content and Language Integrated Learning: a Variant of Bilingual Education in Russian Universities
• ---- Duplex Sentence Part with Instrumental Predicative
• ---- Factors of influence on the actual division utterances
• ---- “Books of Reflections” by I.F. Annensky in the Mirror of Journalism
• ---- Russian Poetic Picture of the World: Linguistic Approach
• ---- Masonic Constituent of Andrey Bely’s “Petersburg”
• ---- Dionysian Mystery in the Story “Lucerne” by L. N. Tolstoy
• ---- Mnemonic Techniques in Teaching Russian as a Foreign Language
• ---- A New Look at the Problem of Vowel Alternation in the Roots of Russian Words
• ---- On Beautiful Clarity: In Memory of Mikhail Yasnov
• ---- Image of a Russian Woman by I. Turgenev and V. Rasputin
• ---- The Image of the “Promised Land” in Vladimir Lorchenkov’s Novel “We Will All Be There”
• ---- Silencing the Other in ‘The Artist’ (2006) by Maggie Gee
• ---- Polish Studies of the Russian Abroad
• ---- Live Your Life Twice. The Individuation of the Main Female Character in the Novel of Ilya Prozorov’s “D-Train”
• ---- “Russian Berlin” in the Memoirs of Cyril Arnstam
• ---- Shakespeare’s Lucrece as a “Catholic” Poem
• ---- Yury Verkhovsky’s Soviet Sonnet: The Winged Horse Symbol, Pavel Bazhov and the Industrial City of Sverdlovsk in the 1940s
• ---- Modern Aesthetics of Poetry Translation: Efim Etkind. Studies in the history and theory of literary translation. Book I. Poetry and translation
• ---- Their Own Step Forward: Young Philologists of the Urals (Review of Scientific Conferences and Publications)
• -- 2021
• --- Vol. 26 ⋅ №1
• ---- Andrei Platonov and Boris Pil’niak: The Pursuit of the Happy Man
• ---- Andrei Platonov and the “Living Dialectic” of the Pushkinian Person
• ---- Honest Jacobins: High Stalinism and the Socialist Subjectivity of Mikhail Lifshitz and Andrei Platonov
• ---- A “Stranger” as a Sick Person in Yugoslav Travelogues of the First Half of the 20th Century
• ---- Dante as a Hidden Reason for Dispute: to the Issue of the Conflict between I.A. Goncharov and I.S. Turgenev
• ---- Exploration of Poetics of the Creative Activity of Andrey Platonov by Russian and American Philologists
• ---- Plot Elements And Motives of the Novel “Chevengur” in Platonov’s Short Story “Potudan River”
• ---- Encyclopedia of One Book: “The Malachite Casket” by P. P. Bazhov (Review of the book: “The Malachite Casket” by Pavel Petrovich Bazhov
• ---- Facets of the Author’s Linguistic Personality in the Early Lyric and Philosophical Works of A. Platonov
• ---- The History of the Development of the Hexameter in German Poetry
• ---- The Study of Active Syntactic Processes in the School Course of Russian
• ---- On the typology of fantastic elements in the novels "Nevsky Prospekt", "Nose" and "Portrait" by N. V. Gogol
• ---- To the Question of the Use of Mobile Educational Game Apps as a Simulator in Russian Language Teaching
• ---- Quantitative Dimension of the Hybrid “Vinovat”
• ---- Translating Communicative Intention and Meaning from English into Russian
• ---- “Manaraga” and Other Writings (Some Aspects of the Russian Literature Model Formation in the Russian Book Market)
• ---- Popular Outlaws in the Works of D. N. Mamin-Sibiryak: Their Names and Fates
• ---- The Latest Lyrics in the Aspect of Cross-Cultural Studies: The Problem of the Subject and the Phenomenon of Liminality (Review of the collective work: Neuere Lyrik. Interkulturelle und interdisziplinäre Studien: Subjekt und Liminalität in der Gegenwartsli
• ---- On the Sophian Archeplot in the Novel “Chevengur” by A. Platonov
• ---- Vocatives in Russian and English Discourse
• ---- The Essay “Che-Che-O”: Semantic Resources of the Avantext
• ---- From Ancient Syncretism to the Internet Era: A Unique Way of Media Literature (Review of the book by Soldatkina Ya. V. Literature in sound, color and movement: historical and literary foundations of media literature. Educational and methodological guide.
• ---- Plurilingualism and the Second Language Teacher Education
• ---- The Novella of I. S. Shmelev “The Man from the Restaurant”: the Genesis of the Intention
• ---- Psychological Prose of Henry James and Edith Wharton
• ---- “The Brontë Myth” Reception in “«Brontë’s Mistress”» by Finola Austin
• ---- Романный герой в эпическом дискурсе (К проблеме рецепции романа «Обрыв» И. А. Гончарова)
• ---- “Salalak Leisure” by V. A. Sollogub in the Context of Cyclization in the 1850s
• ---- Around Minich: About the Hidden Plot in the Captain's Daughter by A. S. Pushkin
• --- Vol. 26 ⋅ №2
• ---- А.М. Remizov and Folklore: On the Issue of Research Methodology
• ---- Authored Lexical Syntagmatics in a Systematic Interpretation
• ---- What Themes “Vibrate in the Core” of Two Poems of Osip Mandelstam and How It Happens (Based on the Poems “The Law of Pine Grove…” and “The Bristles of Sleepiness…”)?
• ---- Contamination of Postmodernist and Post-Postmodernist Tendencies in the Works by J. Franzen
• ---- Demythologising Social Fictions in Angela Carter’s Reinterpretations of Fairy Tales
• ---- Emotion Detection and Semantics of Emotives: Distress and Anger in Annotated Text Dataset
• ---- Doppelgangers and Matrixes: A New Method of Comparative Analysis
• ---- The Phatic Constituent of a Modern Media Text (Оn the Material of Film Records)
• ---- Interculturality in the Modern Russian Linguistic Landscape
• ---- Interpretation Sphere of the Author’s Vocabulary (on the Material of the Book “Stone” by O. E. Mandelstam)
• ---- The Use of Media Texts in Russian Language Teaching
• ---- Interdisciplinary Trends of Modern Linguistics
• ---- Some Thoughts on Corpus and General Linguistics
• ---- Nikolay Kirsanov in the System of Characters in the Novel “Fathers and Sons” by Ivan Turgenev
• ---- T. S. Eliot’s “Old Possum’s Book of Practical Cats” in the Context of “Nursery Rhymes” Tradition
• ---- “Milestones”. From Conversations and Notes about Osip Mandelstam’s “Voronezh Notebooks”
• ---- Syntax as an Object of Parody
• ---- Socio-cultural Content of Modern Russian Language Textbooks for Secondary Schools and Universities in Slovakia
• ---- Modern Russian Poetry in Olympiad Assignments in Literature
• ---- Methods of Grammar Material Presentation in Teaching Russian as a Foreign Language
• ---- The Topos Home as Heterotopy in the Novel by M. Petrosyan “The House in Which…”
• ---- Estates in Leo Tolstoy’s Novel “Resurrection”: from Denouncing Luxury to Life on Land
• --- Vol. 26 ⋅ №3
• ---- Author’s Myth in the Contemporary Post-Modern Novel
• ---- The Deictic Mode And Its Role in Modeling the Strategy of Text Interpretation
• ---- The Inner Life of The Characters of the Novel “Poor People” by F. M. Dostoevsky: Emotions – Impressions – Imagination – Ideas
• ---- Internationalisation as a Strategy of Educating Future Teachers of English
• ---- Interpretation of the Image of Home in the Collection of Poems by V. F. Khodasevich “By The Way of Grain”
• ---- The Historical Past as Hyperreality in Modern Mass Culture (Collective monograph review: Cultgoods: Commercialization of History in Mass Culture. Moscow; Ekaterinburg: Kabinetnyy Uchenyy, 2020. 348 p.)
• ---- A History of Russian Literature: from Philologists to Theologians (A review of: Russian Literature of the 19th Century: A Course of Lectures for a Bachelor of Theology Degree: in 2 V. М.: POZNANIE Publishers, 2020.)
• ---- To the Centennial of the Collection of German Expressionist Poems: the Anthology “Twilight of Humanity: a Symphony of the Newest Poetry” By Kurt Pinthus as one Whole Literary Work
• ---- How to Train Today the Teachers of French as a Foreign Language of Tomorrow? (The example of an introductory and innovative course in language didactics)
• ---- Fiction Text in the Textbook of Russian as a Foreign Language: an Object of Study Or a Means of Learning?
• ---- The Concept “Pain” in Russian Translations of the Poem “Address to the Toothache” by R. Burns
• ---- Between Imitation and Thematization of Music: Towards an Intermedial Utopia in Late German Modernist Literature
• ---- Global Trends in Teaching Foreign Students
• ---- Blended Learning Models in the Training of Language Students
• ---- Multicultural Foreign Language Teaching of Future Lawyers
• ---- New Educational Technologies to Develop Foreign Language Communicative Competence of Non-Linguistic Students: Digital Storytelling
• ---- Phonetics, Phonology, Morphonology, Orthoepy and Orthography Terms in New Special Dictionary by M. Vojteková, S. Pakhomova and A. Petríková (Review of the dictionary: Vojteková M., Pakhomova S., Petríkova A. Slovak-Polish-Russian Dictionary of Linguistic
• ---- Onomastic Myth in the Poetics of F. M. Dostoevsky and I. A. Goncharov
• ---- Semantic Distinctions in Specialized Vocabulary (on the Example of Notional Terminological Oppositions in the Terminological System of Social Work)
• ---- M. Gorky’s Play “The Counterfeit Coin”: A New Reading
• ---- Intercultural Communicative Competence Development as One of the Main Objectives of Business English Course
• ---- Academic English Language Teachers’ Roles in a Virtual and Hybrid Exchange Project
• ---- Specifics Features of the “Frame Text” in the Books of M. A. Zenkevich “Wild Purple Mantle” and «Under the Meat Purple Mantle”
• ---- Wedding Ceremony of the 1950s in a Rustic Way (Ethnolinguistic Aspect)
• ---- In a Dialogue with F. M. Dostoevsky: about the Short Story by I. A. Bunin “The Case of the Cornet Elagin”
• ---- Video Poetry: the Problem of Subject and Context
• ---- “Yamskaya Sloboda” by Andrei Platonov: Topoi of the Steppe
• --- Vol. 26 ⋅ №4
• ---- The Relevance of Reshetnikov’s Creative Activity: the Author’s Style in Modern Ural Literature
• ---- Bulgarian Academic Studies in Russian Literature: Tendencies and Interests
• ---- Dahl – a Man and a Dictionary (for the 220th Anniversary of the Birth)
• ---- The Encyclopedic Dictionary “Russian Language” and the History of Its Publications in the Context of Philological Criticism
• ---- Ethnolinguistic Dictionaries and Prospects of Ethnolinguistic Lexi-cography
• ---- Results of the First Russian National Scientific-Practical Conference “Literature for Children and Teenagers: Approaches to Analysis, Reading Practices, and Regional Context of Study”
• ---- Kairotization of Time in “Crime and Punishment” by F. M. Dostoevsky
• ---- The Book / Literature / Library as a Anti-Value in the Works of V. Bryusov and A. Blok
• ---- Sisyphus from the Leningrad: The Creative Life of Reed Grachev
• ---- Literary “Aesthetics” to Help Students
• ---- An Unrealised in Sofia Collection of Studies on Gogol (1932?): An Attempt at Reconstruction
• ---- Teaching Russian Language to Students from Turkmenistan
• ---- Restrictive Components in the Dictionary of V. I. Dahl
• ---- “Pathetic” Literary Criticism in the Essays by Joseph Warton: a Compromise between Augustanism and Pre-Romanticism
• ---- Porfiry Petrovich and Raskolnikov: Hermeneutics of Doubles
• ---- A Proverb in the Modern Learner’s Dictionary
• ---- Precedent Texts of Russian Culture and Linguistic Personality of a Schoolchild
• ---- Early Gulag Studies Between Ostracism And Forgetfulness
• ---- A.I. Solzhenitsyn’s “Russian Dictionary of Language Expansion” as a Lexicographical Experiment
• ---- Semantization of the Sacred Vocabulary in the Dictionary of V. I. Dahl
• ---- V. I. Dahl’s Dictionary and Modern Associative Lexicography
• ---- “The Dictionary of Legal Terms in the Russian Mass-Media of 21st Century” as а New Lexicographical Product
• ---- Social and Psychological Contexts of the Soviet Period in Latvian Detective Novels
• ---- Soviet Union in Lillian Hellman’s Memoirs
• ---- Trends in the Use of Vocative Forms in the Youth Language Environment
• ---- Theodore Dreiser as a “Soviet Foreign Classic”
• ---- Transitive Literary Discourse in the Modern Novel
• ---- Woody Allen and Theodor Dreiser: Paradoxes of Negated Affinity
• ---- The Shot as a Memory, Or an Actress’s Work. Sketches on Chekhov’s “The Seagull”
• -- 2022
• --- Vol. 27 ⋅ №2
• ---- Dante in African American Literature
• ---- Two Types of Events in Border Crossing Narratives of Contemporary Travelogues
• ---- Philosophy of Existence and “Mechanical” People in A. Platonov’s War Short Stories
• ---- The Geographical Component of the Concept “Russia” in Foreign Textbooks of Russian as a Foreign Language
• ---- Response Generation Intentions Realized in Dialogue
• ---- Intertextual and Genre Strategies of P. Vail (The Essay “Abram Terts, the Russian Filibuster”)
• ---- High-Quality Development of Russian Language Education in Chinese Universities in the New Era
• ---- Culturally-Oriented Training of Highly Qualified Spe- cialists in Russian: Concept and Practice
• ---- The Medial Function of Contemporary Poetry (The Poem by E. Si- monova “In Nice”)
• ---- A Model of Blended Learning of Russian Grammar in the Chinese University
• ---- National-Psychological Portrait of a Chinese Student Studying Russian Language
• ---- Neo-Gothic Trend in Contemporary American Teenage Literature (John August’s Arlo Finch Trilogy)
• ---- Innovative Approaches to Training Specialists in the Russian Language in China
• ---- English Literature for Children in Russian Translations (Review of the book: Goodwin E. Translating England into Russian. The Politics of Children’s Literature in the Soviet Union and Modern Russia. London: Bloomberg Publishing, 2020. 256 p.)
• ---- About the Monograph “100 Years of Karelian Literature” (Review of the monograph: 100 Years of Literature of Karelia. Time. Searches. Portraits / E. I. Markova, N. V. Chikina, O. A. Kolokolova, M. V. Kazakova. Petrozavodsk: Periodika, 2020. 432 p.)
• ---- Definitions of Poetry and Poetology of Transgression
• ---- From Feeling to the Metaphorical Portrait of an Emotive Concept (To the Problem of Developing Emotional Intelligence When Working with a Word)
• ---- Negation-Ambivalence in Russian: Form, Meaning, Functioning
• ---- The Play “Francesca da Rimini” by d’Annunzio: Translation Strategies of V. Ya. Bryusov and Vyach. Ivanov
• ---- RuTOC: A Corpus of Online Lessons in Russian as a Foreign Language
• ---- Syntactic Phraseological Constructions: Theoretical Interpretation from the Perspective of Bilingual Lexicography
• ---- The Content of Auto- and Heterostereotypes of Modern Russian and Chinese Students
• ---- Modern Tendencies of Teaching Russian Language in China
• ---- “I’m as Poor as He”: The Motifs of the Early F. M. Dostoevsky in I. S. Turgenev’s Comedy “Bachelor”
• --- Vol. 27 ⋅ №1
• ---- A. Akhmatova’s Poetry in 11th Grade: Experience in Creating Classroom Problem Situations
• ---- Real Everyday Grammar of Children’s Speech: A Corpus Study
• ---- Evolution of the Image of the Main Character in B. Akunin’s Fandorin Cycle
• ---- Gastronomic Text in Teaching the Russian to Foreigners: Semiotic Projection
• ---- Results of the International Scientific and Poetic Readings in Memory of S. I. Kormilov (June 5, 2021)
• ---- About the Origins of Socialist Realism in Germany
• ---- Metalingual Activity of the Addressee of Wordplay in the Dialogues of Artificial Bilinguals
• ---- Methodology for Teaching Slovaks Russian Indefinite Pronouns
• ---- Motifs of Apocalypse in I. S. Shmelev’s Novel “Sun of the Dead”
• ---- About Yu. Lotman and a Little about Structuralism
• ---- “He Was the Only Professor for Us...”: Yu. M. Lotman – Teacher and Scholar
• ---- “Under the Hill” by Aubrey Beardsley and “South Wind” by Norman Douglas: to the Problem of Reception
• ---- Underground Poetry of the 70s in Course of the Russian Language as a Foreign Language
• ---- Orthodoxy Inside-Out: How Certain Orthodox Ideas Are Reflected in Lev Tolstoi’s Religious Thinking
• ---- “Hundred Years Have Passed…” Formula of Time and Seme of Memory
• ---- Realistic Writing and Socialist-Realistic Canon: Artistic Experience of Vera Panova
• ---- A Semiotic Image of A. Pushkin in Mythopoetic Interpretation of M. Tsvetaeva
• ---- The Symbol of the “House” as a Driver of Linguistic Creativity in V. Shakhrin’s Song “From the War”
• ---- Tertium Non Datur: A Problem of the Ternary System in Yuri M. Lotman’s Semiotics
• ---- “Transcendental Homelessness” in Western Modernist Sonnets
• ---- A Urals Knight of Symbolism: The Case of Sergey V. Vinogradov
• ---- Yu. M. Lotman and the Problems of Theoretical Literary Criticism
• ---- Yu. M. Lotman and Contemporary Narratology
• ---- Yu. M. Lotman Forever Turned the Idea of the Text
• ---- Yu. N. Chumakov: Memories of Meeting Yu. M. Lotman
• - Авторы
• -- Елисеева А.В.
• -- Дронова О.А.
• -- A. A. Alekseev
• -- A. A. Arustamova B. V. Kondakov
• -- A. A. Bulgakova
• -- A. A. Dyrdin
• -- A. A. Dyrdin A. O. Kuranov
• -- A. A. Dyrdin Ju. V. Zhukova
• -- A. A. Grigoryan
• -- A. A. Ilunina
• -- A. A. Moiseev
• -- A. A. Nakaryakova
• -- A. A. Parkhaeva
• --  A. A. Shuneyko O. V. Chibisova
• -- A. A. Skoropadskaya
• -- A. A. Stepanova
• -- A. A. Uporov
• -- A. A. Zhitenev
• -- A. B. Borisova
• -- A. B. Borunov
• -- A. D. Eskova
• -- A. E. Agratin
• -- A. E. Kozlov
• -- A. E. Moshkina
• -- A. G. Bodrova
• -- A. G. Lysov
• -- A. G. Maslova
• -- A. G. Ovchinnikov
• -- A. Grominova O. Medukha
• -- A. Grominova Z. Shpachekova
• -- A. I. Dunev
• -- A. I. Kuznetsova
• -- A. I. Pantuhina
• -- A. I. Zherebin
• -- A. K. Gladyshev
• -- A. M. Lobin
• -- A. M. Malyavina
• -- A. M. Malyavina E. N. Brukhanova
• -- A. M. Malyavina O. A. Artemova
• -- A. M. Menshchikova L. A. Nazarova T. A. Snigireva 
• -- A. M. Plotnikova
• -- A. M. Plotnikova I. K. Skorodumova
• -- A. M. Sapir
• -- A. N. Kochetkov
• -- A. N. Koudrevatykh
• -- A. N. Kudrevatyh
• -- A. N. Kudrevatykh
• -- A. N. Kudrevatykh T. A. Lozhkova
• -- A. N. Murzich
• -- A. N. Neminuschiy
• -- A. N. Neminushchij
• -- A. N. Tukaeva
• -- A. P. Chudinov M. B. Shinkarenkova
• -- A. P. Chudinov M. V. Nikiforova
• -- A. P. Ovchukhov A. M. Kazakov
• -- A. Petrikova
• -- A. R. Chudinova
• -- A. Romanovska
• -- A. S. Bocharnikova S. A. Eremina
• -- A. S. Porshneva
• -- A. S. Yanushkevich
• -- A. Sokolova
• -- Спишьякова А.
• -- A. Spisiakova А. Grominova
• -- A. Spisiakova O. Iermachkova L. Gajarsky 
• -- A. Tretyakov
• -- A. Ussova M. Vasenkina K. Kogut O. Lovtsova M. Anvarova T. Tarasenko N. Kochurova
• -- A. V. Eliseeva
• -- A. V. Grasko Y. V. Matveeva
• -- A. V. Grigorovskaya
• -- A. V. Gusarova
• -- A. V. Kolmakov
• -- A. V. Kolmogorova
• -- A. V. Kononova
• -- A. V. Krapivina
• -- A. V. Kubasov
• -- A. V. Lozhkova
• -- A. V. Maleva
• -- A. V. Malkova
• -- A. V. Malkova T. L. Rybalchenko
• -- A. V. Markov