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• ---- SECRETS OF THE OCEAN OF N. GAIMAN (A LESSON BASED ON THE NOVEL «THE OCEAN AT THE END OF THE LANE»)
• ---- SOMOV'S ROCOCO: PLAYFUL AND SERIOUS
• ---- THE FLIPPED CLASSROOM IN FOREIGN LANGUAGE TEACHING: DIDACTIC PRINCIPLES AND ANALYSIS OF EXPERIENCE
• ---- THE NARRATIVE STRATEGIES AS A REFLECTION OF THE NATIONAL MENTALITY IN THE NOVEL OF JULIO CORTÁZAR «RAYUELA»
• ---- THE STRUCTURE OF ONLINE EDUCATIONAL RESOURCE ON RUSSIAN AS FOREIGN LANGUAGE: APPROACHES TO MODELLING COMMUNICATION
• ---- THEATER PEDAGOGY TECHNIQUES AS A MEANS OF PERSONAL INTERPRETATION OF THE TEXT OF A WORK OF LITERATURE
• ---- THEORETICAL AND PRACTICAL ASPECTS OF THE IMPLEMENTATION OF TECHNOLOGY OF THE PROBLEM-SOLVING EDUCATION AT RUSSIAN LANGUAGE LESSONS IN SECONDARY SCHOOL
• ---- «TO UNDERSTAND THE LOGIC OF MISFORTUNE»: TACTICS AND STRATEGIES OF HUMAN AND PROFESSIONAL SURVIVAL IN THE YEARS OF REVOLUTIONARY CHANGE (BASED ON WRITERS’ DIARIES)
• ---- VLADIMIR MAYAKOVSKY AS ELEMENT OF THE WORLD ART HERITAGE: FOLLOWING AN INTERNATIONAL SCIENTIFIC CONFERENCE
• ---- «WHY SHE WAS NAKED», OR THE GENRE STRATEGIES OF ERSATZ-LITERATURE
• --- №1 (51)
• ---- CAN PSEUDO-DOCUMENTARY CHANGE HISTORY? (ALEXEY FEDORCHENKO’S FILM «FIRST ON THE MOON»)
• ---- CLASSICS IN THE LIGHT OF SELF-REFLECTION ON RUSSIAN CULTURE
• ---- COGNITIVE ASPECTS OF ANTHROPOCENTRIC MODELING LINGUISTIC WORLDVIEW
• ---- GENRE — PERSONALITY — MEANING: EDUCATIONAL RESOURCE OF LITERATURE CLASS IN 10TH GRADE BASED ON THE ESSAY BY DRAGUNSKIJ D. V.
• ---- «LIKE LOOSING AT ROULETTE»: MOTIVE AND TOPIC OF GAMBLING IN THE NOVEL «SMOKE» BY I. S. TURGENEV
• ---- LINGUISTIC PERSONA OF HIGH SCHOOL GRADUATE IN A MIRROR OF THE STATE FINAL EXAM IN RUSSIA
• ---- LITERATURE LESSON IN THE LIGHT OF METHODOLOGICAL IDEAS OF R. F. BRANDESOV
• ---- METHODOLOGICAL LEGACY OF R. F. BRANDESOV IN THE CONTEXT OF MODERNITY
• ---- MODERN СITY IMAGE IN NEWER RUSSIAN POETRY
• ---- NEOROMANTISM IN RUSSIAN POETRY OF THE XX–XXI CENTURIES: MEANING AND SCOPE OF THE CONCEPT
• ---- PSEUDO-DOCUMENTARY: SEMANTICS AND PRAGMATICS (BASED ON A. FEDORCHENKO’S AND M. MESTETSKY'S FILMS)
• ---- RUSSIAN LITERATURE OF THE 18TH CENTURY AS A PHENOMENAL ARTISTIC AND PHILOSOPHICAL EXPERIMENT
• ---- SELF-AWARENESS OF SCIENCE ON LITERATURE
• ---- SURIKOV AS REFLECTED IN THE RUSSIAN POETRY OF THE XX CENTURY
• ---- TEACHING VOCABULARY TO BEGINNERS AT THE LESSONS OF RUSSIAN AS A FOREIGN LANGUAGE: TOPIC «CITY AND TRANSPORT»
• ---- TEXT AND MEMORY
• ---- THE CONCEPTS «MEMORY» AND «LANGUAGE» IN BRODSKY’S POETIC CYCLE «PART OF SPEECH»
• ---- THE INFLUENCE OF RUSSIAN SYMBOLISM LITERARY STUDIES ON THE THEORY OF LITERATURE OF 1910S — 1920S (ANDREY BELY)
• ---- THE PUBLISHING HISTORY OF THE NOVEL «FEAR» / «FIRE» BY V. MAKANIN: THE BIRTH AND TRANSFORMATION OF THE TEXT
• ---- «THE WORD THAT CONQUERED DEATH» (A. AKHMATOVA AND J. BRODSKY: «TWO VOICES ARE EXCHANGING VIEWS»)
• ---- TOWARDS THE DREAM (OR BACKWARDS) ON ALEXEY FEDORCHENKO’S FILM «FIRST ON THE MOON»
• ---- TRADITIONS AND INNOVATIONS IN LITERATURE TEACHING
• ---- TRANSFORMATION OF THE IMAGE OF «TURGENEV’S GIRL» IN MODERN RUSSIAN PROSE
• ---- «VIGILANCE THAT UNRAVELS THE POETRY…»: LESSON-WORKSHOP ON THE LYRICS OF A. FET IN 10TH GRADE
• ---- WREATH OF ROSES»: I. MYATLEV, I. S. TURGENEV, I. SEVERYANIN
• ---- YEAR OF RASPUTIN
• -- 2019
• --- №1 (55)
• ---- ANDREY PLATONOV AND LITERARY MOSCOW OF THE 1920S –1940S: RESEARCH AND RECONSTRUCTION
• ---- COGNITIVE STRATEGIES OF RUSSIA’S IMAGE PRESENTATION IN FOREIGN TEXTBOOKS IN RUSSIAN AS A FOREIGN LANGUAGE FOR SLAVIC LANGUAGES SPEAKERS
• ---- DERZHAVIN’S SPIRITUAL ODES IN LITERATURE LESSONS IN THE 9TH GRADE
• ---- EMIGRATION, INNER EMIGRATION, EXILE, CAMP: THE COMMON AND THE SPECIFIC IN THE WRITER’S SELF-CONSCIOUSNESS
• ---- “EMPIRE OF THE EKPHRASIS”, OR CONVERSATION ABOUT INTERMEDIAL
• ---- EPISTOLARY OF F. M. DOSTOEVSKY DURING THE PERIOD OF KATORGA AND EXILE: SALVATION CODE
• ---- FORM AND CONTENT: THE ESSENCE OF BEAUTY IN THE WORKS OF BORIS PASTERNAK
• ---- FRANZ KAFKA’S “THE JUDGEMENT” AND THE PETERSBURG TEXT OF RUSSIAN LITERATURE
• ---- IMAGE OF RUSSIA IN CHINESE TEXTBOOK IN RUSSIAN AS A FOREIGN LANGUAGE: AXIOLOGICAL ASPECT
• ---- INTENTION TO SERVE “THE SACROSANCT TRUTH” IN THE EXPERIENCE OF THE THINKER LONE WOLDEMAR SCHMIDT
• ---- INVITATION TO THE DANCE: INTERMEDIAL ALLUSIONS IN T. S. ELIOT’S EARLY POETRY (“THE DEATH OF SAINT NARCISSUS”, “SUPPRESSED COMPLEX”)
• ---- LEXICAL-SEMANTIC FIELD OF GOODNESS: COMMON AND NATIONAL-SPECIFIC (WITH REFERENCE TO RUSSIAN AND CHINESE LANGUAGES)
• ---- LINGUISTIC AND SOCIO-CULTURAL PROBLEMS OF EDUCATIONAL MIGRATION IN RUSSIA AND SLOVAKIA (ON EXAMPLE OF SCHOOLS IN EKATERINBURG AND PRESHOV)
• ---- METHODS AND WAYS USED FOR THE ANALYSIS OF CONTEMPORARY RUSSIAN POETRY IN SENIOR SCHOOL
• ---- NATIONAL LITERARY CANON UNDER TRANSLATION
• ---- PRINCIPLES OF COMPILING GYMNASIUM TEXTBOOKS ON THE “HISTORY OF RUSSIAN LITERATURE”: ON THE ISSUE OF DOMESTIC PEDAGOGICAL TRADITIONS
• ---- PROBLEM OF A RATIO OF THE POINTS OF VIEW IN THE NOVEL “FOMA GORDEYEV” BY MAXIM GORKY
• ---- PROBLEMS AND METHODS OF MODERN ETHNOPOETICS
• ---- RESOLVING INNER EMIGRATION IN O. MANDELSTAM POETRY
• ---- SHAKESPEARE AND EQUIVOCATION
• ---- SHAKESPEARE’S SONNETS IN RUSSIAN
• ---- TEXT’S SUBJECTIVE ORGANIZATION AS MANIFESTATION OF CHINESE SPEAKERS’ ETHNIC IDENTITY (ON THE BASIS OF PORTRAIT ESSAY)
• ---- THE CHARACTER OF REYNARD THE FOX IN THE CHILDREN’S LITERATURE OF FRANCE, GERMANY AND LUXEMBURG (SECOND HALF OF THE 20TH – BEGINNING OF THE 21ST CENTURIES)
• ---- THE CHARACTER OF THE COLLECTOR AS A CREATIVE SUBJECT IN THE GERMAN AND RUSSIAN NOVELS AFTER 1980
• ---- THE FUNCTIONING OF BIBLICAL METAPHOR OF EXILE/EXODUS IN A MEMOIR DISCOURSE (ON THE MATERIAL OF MEMOIR TEXTS RUSSIAN EMIGRATION “FIRST WAVE”)
• ---- THE IMAGE OF A CHILD IN THE LYRICS OF IRINA KNORRING
• ---- THE POEM “THE DREAMING BOYS” BY OSCAR KOKOSHKA AS A LITTLE MASTERPIECE OF EXPRESSIONISM: OWN AND ALIEN
• ---- THE SELF-REFLECTION OF EMIGRANT IN AYN RAND’S ART WORKS
• ---- TO THE ISSUE OF TEACHING WEST EUROPEAN ROMANTICISM AT UNIVERSITY (USING TEACHING GUIDES BY R. F. YASHENKINA)
• ---- TRANSFORMATION OF ENGLISH VICTORIAN NONSENSE IN THE 20TH CENTURY: LEWIS CARROLL AND JOHN LENNON
• --- №2 (56)
• ---- A. S. PUSHKIN, “THE WINTER ROAD”: THE POEM’S RECEPTION IN THE ENGLISH-SPEAKING WORLD THROUGH THE MIRROR OF CLOSE READING
• ---- A. SOLZHENITSYN’S «NAKED PERSON» AGAINST THE BACKGROUND OF „NEW PRISON CAMP PROSE“: PRO ET CONTRA
• ---- “AND THERE WAS NO NEED TO SAY ANYTHING …”: SILENCE IN THE SYSTEM OF MEANS OF EXPRESSION OF THE AUTHOR’S POSITION (“THE NOBLE NEST” BY IVAN TURGENEV)
• ---- AWAKENING IN LANGUAGES IN THE FRAMEWORK OF EXTRA CLASS ACTIVITIES: THEATRICAL PRACTICES
• ---- FROM DECADENCE TO TEURGY (CONNECTIONS IN GENESIS OF CZECH AND RUSSIAN LITERATURE AT THE END OF 19TH AND BEGINNING OF 20TH CENTURY)
• ---- GENRE PECULIARITIES OF H. L. OLDIE’S “SHERLOCK HOLMES VS. MARTIANS”: BETWEEN MASHUP AND CROSSOVER
• ---- INDIVIDUAL STYLE OF A POLITICIAN IN THE LIGHT OF THE COMIC
• ---- MODELLING THE INTERACTION BETWEEN THE SCIENTIFIC CONCEPT “ALTRUISM” AND THE EVERYDAY IDEA OF ALTRUISM IN FRENCH LINGUISTIC CULTURE
• ---- ON ANTROPOCENTRIC APPROACH TO TEXT AND DISCURSIVE TEXT PERCEPTION IN MONOGRAPH BY J. SOKOLOVA "TEXTS – IMAGES – COMMUNICATES"
• ---- PERCEPTION AND DEVELOPING OF ALEXANDER MIKHAILOV’S IDEAS BY THE RUSSIAN SCIENTISTS
• ---- POET AGAINST THE BACKGROUND OF SOCIETY IN THE AESTHETIC PROJECT OF THE RUSSIAN AVANT-GARDE
• ---- POETOLOGY IN ESSAY BOOKS OF A. SKIDAN AND M. STEPANOVA
• ---- “POLITICAL ECONOMY OF EMPATHY” IN THE DECEMBRISTS’ EGO DOCUMENTS AT THE YALUTOROVSK COLONY
• ---- PROFESSIONAL FOREIGN LANGUAGE COURSE FOR INTERNATIONAL STUDENTS: APPROACHES TO CONTENT SELECTION
• ---- REPUTATION IN LITERATURE: NOTES TO THE PROBLEM
• ---- RHETORICAL LACUNES: CAUSES, IMPLICATIONS, WARNING
• ---- RHYTHMIC COMPOSITION OF PUSHKIN’S TRAGEDY «MOZART AND SALIERI»
• ---- SIR WALTER SCOTT’S THE ANTIQUARY: CULTURES, HISTORY, ART AND NARRATIVE ALLIANCES
• ---- SPEECH PORTRAIT AT THE RUSSIAN LANGUAGE LESSON IN THE 8TH GRADE OF SECONDARY SCHOOL
• ---- SPIRITUAL MEASUREMENT OF A HUMAN LIFE: BUNIN`S ARTISTIC REPUTATION AND TEXT`S ACTUALITY
• ---- STRANGE CASE OF A REGIONAL CULTURAL REVOLUTION: SVERDLOVSK IN THE PERESTROIKA YEARS
• ---- SYNTHESIS OF PHILOSOPHY AND ART IN O. WILD’S GOTHIC STORY THE CANTERVILLE GHOST
• ---- THE BEGINNING OF THE PATH: THE STRATEGY OF POETIC SELF-DETERMINATION IN THE EARLY POETRY OF OLGA SKOPICHENKO, MARIA VIZI AND ELENA GROT
• ---- THE NAMES OF THE FOUNDERS OF THE URAL INDUSTRY ON THE MAP OF THE URALS
• ---- THE PLOT OF THE FOOL’S INITIATION IN THE NOVEL BY L. N. TOLSTOY “THE COSSACKS”
• ---- THE PROBLEM OF COLLECTIVE IDENTITY IN GERMAN-SPEAKING PROSE, CREATED BY AUTHORS FROM THE FORMER USSR
• ---- “THE REAL LIFE OF... BORIS RYZHY”: ON THE BOOK “BORIS RYZHY. INTRODUCTION TO MYTHOLOGY” BY ALEXEY MELNIKOV
• ---- “TO BE HIS AQUILINE DOVE”: BIRD IMAGES IN M. TSVETAEVA’S BOOK OF POEMS “REMESLO”
• ---- VALUES OF A. GAIDAR’S HEROES (“TIMUR AND HIS TEAM”)
• ---- WHAT WILL THE LETTERS TELL?: A LITERATURE LESSON ON THE EPISTOLARY NOVEL BY I. KRAEVA “BABA YAGA WRITES” IN THE 6TH GRADE
• ---- WRITER BETWEEN POLITICS, MEDIA AND ENTERTAINMENT INDUSTRY. L. FEUCHTWANGER’S NOVEL “SUCCESS” AND THE CONCEPTION OF ARTIST IN THE “NEUE SACHLICHKEIT”
• --- №3 (57)
• ---- CHILDHOOD – YOUTH – OLD AGE IN THE CREATIVE ACTIVITY OF Z. N. GIPPIUS
• ---- CHINESE WORDS IN MODERN RUSSIAN: SEMANTIC ASPECT
• ---- DEVELOPING STUDENTS’ PROFESSIONAL LINGUAL IDENTITY IN HIGHER EDUCATION (A FOLLOW-UP TO THE INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE)
• ---- EKPHRASIS IN THE NOVEL “SKUTAREVSKY” BY LEONID LEONOV (TO THE 120TH ANNIVERSARY OF THE WRITER’S BIRTH)
• ---- EMOTIONAL TONALITY AS A VALUABLE SUBJECTIVE PARAMETER OF STUDY TEXT FOR RUSSIAN AS FOREIGN LANGUAGE LEARNERS
• ---- FROM CONCEPTION TO TEXT: PARADOXES OF INCOMPLETENESS (“POEM WITHOUT A HERO”, SKETCHES OF A BALLET LIBRETTO AND “PROSE ABOUT A POEM”)
• ---- GERSHENZON ON PUSHKIN’S “IMMANENT PHILOSOPHY” AND “THERMODYNAMIC PSYCHOLOGY”. METAPHOR AND NON-METAPHORICAL MEANING
• ---- “I DIDN’T FIGHT FOR ANYTHING, NEVER LEARNED ANYTHING, HADN’T REACHED ANYTHING ...” LIVSHITS E. K. “I’M NOT DIVORCING THE DEAD!..” MEMOIRS. DIARIES. LETTERS
• ---- KHLEBNIKOV’S INHERITORS: RUSSIAN EXPRESSIONISTS
• ---- METHODS OF TEXT ANALYSIS AS UNIVERSITY SUBJECT: COGNITIVE AND DISCURSIVE ASPECT
• ---- OLYMPIAD IN INTENSIVE READING AS A RESOURCE OF FUNCTIONAL LITERACY FORMATION
• ---- ON A BALLAD INTERPRETATION OF V TU NOCH MY SOSHLI DRUG OT DRUGA S UMA … [THAT NIGHT WE DROVE EACH OTHER WILD …] BY AKHMATOVA (FROM THE POETIC SERIES TASHKENT PAGES)
• ---- ORDINARY LIFE OF DECEMBRISTS BANISHED TO WESTERN SIBERIA (FOLLOWING RECOLLECTIONS, ESSAYS AND MEMOIRS)
• ---- PERCEPTION HISTORY OF PAUL ERNST’S ART IN RUSSIA
• ---- POSTMODERN BIOGRAPHY IN URS WIDMER’S NOVEL “MY FATHER’S BOOK”
• ---- SEMANTIC TRANSFORMATIONS OF FRENCH VOCABULARY IN RUSSIAN LANGAGE
• ---- SPECIFICS OF THE PRESENTATION OF THE IMAGE OF RUSSIA IN TEXTBOOKS OF RUSSIAN AS A FOREIGN LANGUAGE FOR FRANCOPHONES
• ---- THE ASSOCIATION-DERIVATION STRATEGIES OF A LANGUAGE GAME IN THE NICKNAMES OF MODERN YOUTH
• ---- THE CATEGORY OF NON-ADULTHOOD AS A FIELD STRUCTURE IN THE RUSSIAN LANGUAGE PICTURE OF THE WORLD
• ---- THE INFLUENCE OF RUSSIAN SYMBOLISTS’ LITERATURE STUDIES ON V. M. ZHIRMUNSKY’S UNDERSTANDING OF POETICS AS AN ACADEMIC DISCIPLINE
• ---- THE METAPHOR OF THE THEATER IN THE HISTORICAL NOVELS BY HILARY MANTEL ABOUT THOMAS CROMWELL
• ---- THE REVIVAL OF THE GENRE: KEY TRENDS IN THE CONTEMPORARY TRAVELOGUE DEVELOPMENT
• ---- THE SPACE OF LONDON IN THE I. MCEWAN’S NOVELS SATURDAY (2005) AND THE CHILDREN’S ACT (2014)
• ---- THE THEME OF CREATIVITY/POETRY IN CONTEMPORARY LYRICS: A DRAFT LESSON PLAN FOR HIGH SCHOOL CLASSES
• ---- WATER AS A MEANING-GENERATING IMAGE IN THE NOVEL BY FR. WERFEL “BARBARA, OR PIETY”
• --- №4 (58)
• ---- ANDREI PLATONOV AND ROMANTIC YEARNING
• ---- AUTHOR’S THESAURUS AND WORD COMPATIBILITY: LEXICOSTATISTICAL MODELS OF INDIVIDUAL STYLE
• ---- BETWEEN THE CYNIC AND THE TRICKSTER: TOLSTOY’S SURVIVAL STRATEGY IN THE 1930S
• ---- BOOK OF POEMS AS A GENRE IN THE WORKS OF “PEREVAL” POETS (P. DRUZHININ, N. ZARUDIN, D. SEMENOVSKY)
• ---- COGNITIVE STRATEGIES OF RUSSIA’S IMAGE PRESENTATION IN BRITISH TEXTBOOKS OF ENGLISH AS A FOREIGN LANGUAGE
• ---- DIFFICULT CASES OF WORD FORMATION ANALYSIS
• ---- EXISTENTIAL-COMMUNICATIVE TECHNOLOGIES IN LITERATURE LESSONS
• ---- GREAT EXPECTATIONS VS. LOST ILLUSIONS: A HERO-READER IN A MODERN GERMAN NOVEL (BASED ON THE WORKS OF B. SCHLINK DER VORLESER AND J. SCHIMMANG NEUE MITTE)
• ---- THE NOTES FROM UNPUBLISHED A. PLATONOV’S NOTEBOOK: HISTORICAL-LITERARY COMMENTARY AND TEXTOLOGICAL RECONSTRUCTION
• ---- IMAGE OF FAMILY IN THE LINGUISTIC CONSCIOUSNESS OF NATIVE SPEAKERS IN DIFFERENT LINGUACULTURES (ON THE EXAMPLE OF RUSSIA AND SRI LANKA)
• ---- "IT DEPENDS ON THE PERSON HIMSELF TO WHAT EXTENT HIS LIFE IS FILLED WITH BEAUTIFUL AND GREAT..." IN MEMORY OF YULIA MIKHAILOVNA PROSKURINA
• ---- JAZZ AS A PHENOMENON OF THE CULTURE OF REMEMBERANCE IN THE COMTEMPORARY GERMAN-LANGUAGE LITERATURE (MICHAEL KÖHLMEIER’S OCCIDENT AND FRIEDRICH CHRISTIAN DELIUS’ THE FUTURE OF BEAUTY)
• ---- LITERARY REPUTATION OF STANISLAV LEM
• ---- NOVELETTE A MAN FROM THE RESTAURANT BY I.S. SHMELEV AND THE EPONYMOUS FILM BY Y.A. PROTAZANOV: THE POETICS OF VISUALITY AND THE PROBLEM OF FILM ADAPTATION
• ---- ON THE GENRE BOUNDARIES OF THE RUSSIAN ALTERNATE HISTORY NOVEL
• ---- OTHERS AND THE MOON UTOPIA IN THE NOVEL “CHEVENGUR” BY A. PLATONOV
• ---- PHONETIC EXERCISES FOR TEACHING LISTENING COMPREHENSION OF FOREIGN LANGUAGE TEXT (IN THE ASPECT OF RUSSIAN AS A FOREIGN LANGUAGE)
• ---- PLATONOV AND A REPROCH AGAINST KARATAEV PHILOSOPHY: DO MORAL PRINCIPLES UNDERMINE BOLSHEVIST REVOLUTION?
• ---- REMIZOV’S LITERARY PERSON IN CARTOONS AND PARODIES OF HIS CONTEMPORARIES (1906-1916)
• ---- SCHIZOTYPAL NARRATIVE AS A WAY OF CONSTRUCTING FEMALE SUBJECTIVITY IN A. KOZLOVA’S NOVEL F20
• ---- SEMANTICS OF SPACE IN THE ARTISTIC PICTURE OF THE WORLD OF O. F. BERGHOLZ
• ---- SPENGLERIAN IDEAS IN AMERICAN CULTURAL CONSCIOUSNESS
• ---- SYSTEM APPROACH PRINCIPLES IN THE COGNITIVE STUDIES OF LANGUAGE: RELEVANCE AND IMPLEMENTATION
• ---- TRANSFORMATION OF A FAIRY TALE MODEL IN THE A. PLATONOV’S STORY JULY THUNDERSTORM
• ---- WHAT IS THE TRICK? (A SECONDARY SCHOOL LESSON ON THE CREATIVE ACTIVITY OF M.YA. BORODITSKAYA)
• -- 2020
• --- Vol. 25 ⋅ №1
• ---- A. N. Radishcev and N. M. Karamzin in the Ideological Context of “The Captain’s Daughter” by А. S. Pushkin
• ---- A Review of Student Support Services in USA
• ---- Anglicisms Ending in -ing in Russian and Slovak Languages
• ---- Antonymy in the Context of Synonymy: the Principles of Lexicographic Description in the New Ideographic Dictionary
• ---- Graphic Novel Adaptation of “And Quiet Flows the Don” by M. Sholokhov (the Russian-Serbian Comic Strip “The Cossacks”)
• ---- Interactive Lesson as a Macro-Unit of Teaching Russian as a Foreign Language in Short-Term Courses
• ---- Literary Reputation of a Writer of Translated Books: Jane Austen in Russia Case Study
• ---- Methodology of Developing a Professionally-Oriented Course Book for French as a Second Foreign Language
• ---- Mary-Kay Wilmers. Achieving the Desired
• ---- Musical Interpretation as Semantic Emphasis in the Analysis of the Poem “I am a Wild Wind, I Blow Eternally…” by K. D. Balmont in the 11th Grade
• ---- Oneiric Text in I. S. Turgenev’s and V. O. Pelevin’s Short Prose
• ---- Poetics of the Versification System of R. A. Kudasheva’s Fairy-Tales
• ---- Provocation in V. Shukshin’s Artistic Consciousness: Motives and Limits of Testing Meanings
• ---- Speech Genre Potential of Language Play in Children’s Fiction
• ---- The “Fairy Tales of Life” as a Genre Phenomenon of the 1920s.
• ---- Modern Prose at Literature Lessons and in Independent Reading of Senior Secondary School Students
• ---- Modern Didactic Text in Russian: Mechanisms of Perception and Principles of Construction
• ---- Plots of the Future History of 20th Century Russian Literature in “The Chronicle of the Life and Work of S. A. Esenin”
• ---- A Typology of Social Network Users of in the Metaphorical Mirror of the Russian Mass-Media
• ---- “Is Vasily Shukshin a Modern Classic?” (Review of the Round Table Discussion at St. Petersburg International Cultural Forum)
• ---- “The Devil in Love” By A. V. Korolev: Experience of Reconstruction
• ---- The Will of Space and the Flow of Verse. On Akhmadulina’s Poetics of the 1980s (Based on Her Books “The Mystery” and “The Garden”)
• --- Vol. 25 ⋅ №2
• ---- “Angelic Creations” in the V. Rasputin’s Prose: Specificity of Representation, Functions
• ---- Archetypes and Symbols in the Cognitive-Semiotic Text Model
• ---- Body and Soul: the Binary Oppositions in K. Simonov’s Poem You Told Me: “I Love You”…
• ---- V. B. Shklovsky’s Essay “The Protest of Models”: Comments to the Topic
• ---- Grotesque in Bunin’s Prose and Journalist Essays
• ---- From the History of Soviet Chekhovian Studies of the 1920s – 1940s: on Two Editions of “The Portrait of Chekhov’s Creativeness” by A. B. Derman
• ---- Research into Artistic Images within Linguistic Imagology
• ---- Artistic Features of Character Portrait in Symbolist Prose (V.  Ya. Bryusov and A. Bely)
• ---- “Book of the Poet” as “Book of the Artist”: “Imago” by D. Dmitriev
• ---- The Comic in Holocaust Literature: Overcoming Taboo?
• ---- Communicative Situation of Agreement in Business English Class
• ---- The Themes of Loss and Loneliness in Jonathan Coe’s Novel “The Terrible Privacy of Maxwell Sim”
• ---- “Andrey Platonovich and Me – We Were Both Born under the Same Sun…”
• ---- Nicolai M. Karamzin and the Arzamas Members (on the Problem of “N. Karamzin and His Circle”)
• ---- The Number One, or in the Gardens of Artistic Possibilities of Lyudmila Petrushevskaya
• ---- On the Reception of I. S. Turgenev by Austrian Writers of the XIX–XX centuries
• ---- Arrangement of Reading Classes for Foreign Students under Distance Learning Conditions
• ---- Why Do Teenagers Dislike Reading Russian Classical Literature?
• ---- A Poet as an Art Manager: A Maria Osipova Project “Masha Writes” (2018)
• ---- Role of Wedding Ritual Terms in Formation of Cultural Identity of Rusyns in Eastern Slovakia: Ethnolinguistic and Aesthetic Aspects of Research
• ---- The Semantic Subject in Russian Impersonal Sentence
• ---- Systematic Mistake and Its Linguistic Background
• ---- Through genres: artist’s book, art object and ekphrasis of Lyudina Ru / Lyudmila Rusova «Насквозь / Through» (1999)
• ---- Contemporary Russian Political Metaphorology (2011–2020)
• ---- he Contemporary German-Language Novel and a World without the Other
• ---- Code-Switched Insertions in the Speech of a Bilingual Child
• ---- “The Conqueror! Cyrus! Napoleon!”: the Image of Napoleon in the Art World of Joseph Brodsky
• ---- ‘I Know that One Should Write about you Reservedly and Simply’: an Unknown Correspondence between Ivan Bunin and Bulgarian Literary Critic Malcho Nikolov
• - Авторы
• -- Елисеева А.В.
• -- Дронова О.А.
• -- A. A. Alekseev
• -- A. A. Arustamova B. V. Kondakov
• -- A. A. Dyrdin
• -- A. A. Dyrdin A. O. Kuranov
• -- A. A. Dyrdin Ju. V. Zhukova
• -- A. A. Moiseev
• -- A. A. Nakaryakova
• -- A. A. Parkhaeva
• -- A. A. Stepanova
• -- A. A. Uporov
• -- A. A. Zhitenev
• -- A. B. Borisova
• -- A. D. Eskova
• -- A. E. Agratin
• -- A. E. Kozlov
• -- A. E. Moshkina
• -- A. G. Lysov
• -- A. G. Maslova
• -- A. G. Ovchinnikov
• -- A. I. Dunev
• -- A. I. Kuznetsova
• -- A. I. Pantuhina
• -- A. I. Zherebin
• -- A. K. Gladyshev
• -- A. M. Lobin
• -- A. M. Malyavina
• -- A. M. Malyavina E. N. Brukhanova
• -- A. M. Malyavina O. A. Artemova
• -- A. M. Plotnikova
• -- A. M. Plotnikova I. K. Skorodumova
• -- A. M. Sapir
• -- A. N. Kochetkov
• -- A. N. Koudrevatykh
• -- A. N. Kudrevatyh
• -- A. N. Kudrevatykh
• -- A. N. Kudrevatykh T. A. Lozhkova
• -- A. N. Murzich
• -- A. N. Neminuschiy
• -- A. N. Neminushchij
• -- A. N. Tukaeva
• -- A. P. Chudinov M. B. Shinkarenkova
• -- A. P. Chudinov M. V. Nikiforova
• -- A. P. Ovchukhov A. M. Kazakov
• -- A. Petrikova
• -- A. R. Chudinova
• -- A. S. Bocharnikova S. A. Eremina
• -- A. S. Porshneva
• -- A. S. Yanushkevich
• -- A. Sokolova
• -- Спишьякова А.
• -- A. Spisiakova А. Grominova
• -- A. Tretyakov
• -- A. Ussova M. Vasenkina K. Kogut O. Lovtsova M. Anvarova T. Tarasenko N. Kochurova
• -- A. V. Eliseeva
• -- A. V. Grasko Y. V. Matveeva
• -- A. V. Grigorovskaya
• -- A. V. Gusarova
• -- A. V. Kolmakov
• -- A. V. Kolmogorova
• -- A. V. Kononova
• -- A. V. Krapivina
• -- A. V. Kubasov
• -- A. V. Lozhkova
• -- A. V. Maleva
• -- A. V. Malkova
• -- A. V. Malkova T. L. Rybalchenko
• -- A. V. Markov
• -- A. V. Petrov N. V. Yarina
• -- А. V. Sokolova
• -- A. V. Strauss
• -- A. V. Tagilcev
• -- A. V. Tagiltsev
• -- A. V. Tretyakov
• -- A. V. Tretyakov A. V. Kolmakov
• -- A. V. Tretyakov Y. V. Korovyakova
• -- A. V. Zhuchkova
• -- A. Y. Bolshakova
• -- Абашев В.В.
• -- Абашева М.П.
• -- Абашева М.П. Даниленко Ю.Ю.
• -- Абрамова Н.С.
• -- Адаева О.Б.
• -- Адясова О.А.
• -- Адясова О.А. Гридина Т.А.
• -- Афанасьев А.С.
• -- Агратин А.Е.
• -- Акимова Е.А.
• -- Акимова Е.А. Ермоленко С.И.
• -- Акимова О.Б.
• -- Алейников О.Ю.
• -- Алексеев А.А.
• -- Алексеева Е.В.
• -- Алексеева М.А.
• -- Алешина Т.Е.
• -- Ананьев С.М.
• -- Андреева В.Г.
• -- Андреюшкина Т.Н.
• -- Анохина Н.Е.
• -- Анпилова Л.Н.
• -- Антонова Ю.А.
• -- Антошина Т.С.
• -- Анцыферова О.Ю.
• -- Анварова М.
• -- Arias-Vikhil M. A.
• -- Аристов Д.В.
• -- Арсенова Т.А.
• -- Артемова О.А.
• -- Арустамова А.А.
• -- Авдеева Г.А.
• -- B. B. Borodin A. V. Kubasov
• -- B. E. Losev
• -- B. Ju. Norman
• -- B. M. Grinberg
• -- B. M. Grinbgerg
• -- B. M. Proskurnin
• -- B. M. Proskurnin E. A. Tokarev
• -- B. R. Kosanovich
• -- Бабенко Л.Г.
• -- Бабич Г.Н.
• -- Бабушкина С.В.
• -- Багдасарян О.Ю.
• -- Багичева Н.В.
• -- Баграмова Н.В.
• -- Бахтинова С.Б.
• -- Бакстер Дж.
• -- Бакулина Г.А.
• -- Балабанов С.Ю.
• -- Балашова Т.В.
• -- Банникова О.В.
• -- Барковская Н.В.
• -- Барковская Н.В. Багдасарян О.Ю.
• -- Барковская Н.В. Верина У.Ю. Гутрина Л.Д.
• -- Баруткина М.О.
• -- Басовская Е.Н.
• -- Баталова Е.В.
• -- Бекасова Е.Н.
• -- Белова Е.Г.
• -- Беляева И.А.
• -- Беляева В.Н.
• -- Беляева В.Н. Монзина Р.И. Богуславская Н.Е.
• -- Беляков С.С.
• -- Бикбаева Э.Р.
• -- Биктимиров В.Э.
• -- Биктимирова Ю.В.
• -- Блищ Н.Л.
• -- Бочарникова А.С.
• -- Бочарникова А.С. Ерёмина С.А.
• -- Бочкарева Н.С.
• -- Бодрова Н.А.
• -- Богданова О.А.
• -- Богнер Р.
• -- Большакова А.Ю.
• -- Борисова А.Б.
• -- Борисова В.В.
• -- Бородин Б.Б.
• -- Бородин Б.Б. Кубасов А.В.
• -- Бородина Т.Е.
• -- Ботнор О.А.
• -- Брагина М.А.
• -- Бреева Т.Н.
• -- Брюханова Е.Н.
• -- Брюханова Е.Н. Малявина А.М.
• -- Брюханова Ю.М.
• -- Будаев Э.В.
• -- Буйначева А.В.
• -- Бухтоярова Н.С.
• -- Булдыгина Л.В.
• -- Бутакова Л.О.
• -- Быков Л.П.
• -- Быкова Г.И.
• -- Быкова Г.И. Капленко В.Н. Абрамова И.А.
• -- Быстрова О.В.
• -- Чайковская Е.Н.
• -- Чечулина Л.С.
• -- Чечулина Л.С. Гоголина Т.В.
• -- Чекушин В.В.
• -- Черашняя Д.И.
• -- Чернова О.Е.
• -- Черняк М.А.
• -- Черняк В.Д.
• -- Черняк В.Д. Черняк М.А.
• -- Чернышов И.С.
• -- Четвертных Е.А.
• -- Четвертных Н.А.
• -- Чигинцева Т.А.
• -- Чикаева Т.А.
• -- Чиршева Г.Н.
• -- Чижова И.Л.
• -- Чони П.
• -- Чудинов А.П.
• -- Чудинова А.Р.
• -- Чудновский В.В.
• -- Чумаков Ю.Н.
• -- Чжан Вэй
• -- Чжу И.
• -- D. A. Pelikhov
• -- D. А. Starkova
• -- D. I. Cherashnaya
• -- D. I. Cherashnyaya
• -- D. I. Chereshnya
• -- D. M. Mironova
• -- D. S. Moskovskaya
• -- D. S. Tuliakov
• -- D. V. Aristov
• -- D. V. Kolesova
• -- D. V. Larkovich
• -- D. V. Nechepurenko
• -- D. V. Panchenko
• -- D. V. Zherdev A. V. Buynacheva
• -- Дайхин Т.Л.
• -- Даниленко Ю.Ю.
• -- Данилина Г.И.
• -- Данилова О.А.
• -- Даракчи М.И.
• -- Дашевская О.А.
• -- Дашевский В.А.
• -- Дедкова О.А.
• -- Деканат филологического факультета ЧелГУ
• -- Демидова К.И.
• -- Дезорцева М.А.
• -- Димитров Л.
• -- Directorate of the Faculty of Philology of Chelyabinsk State University
• -- Дёгтева Я.Н.
• -- Доброва Г.Р.
• -- Догнал Й.
• -- Донецких Л.И.
• -- Доровских Л.В.
• -- Доценко Е.Г.
• -- Доценко И.Г.
• -- Дрейфельд О.В.
• -- Dronova O.A.
• -- Дровалева Н.А.
• -- Дубах Т.М.
• -- Дубровских Т.С.
• -- Дунев А.И.
• -- Душина Е.В.
• -- Дворцова Н.П.
• -- Дьячкова Н.А.
• -- Дырдин А.А.
• -- Джулиано Д.
• -- Дзюба Е.В.
• -- Дзюба Е.В. Еремина С.А.
• -- E. A. Akimova S. I. Yermolenko
• -- E. A. Chetvertnyh
• -- E. A. Chetvertnykh
• -- E. A. Ivanshina
• -- E. A. Kozlova O. I. Kolesnikova
• -- E.A. Loginova
• -- E. A. Merkatun
• -- E. A. Merkotun
• -- E. A. Nakhimova
• -- E. A. Podshivalova
• -- E. A. Poleva
• -- E. A. Pyatova
• -- E. A. Ryabukhina
• -- E. A. Safonova
• -- E. A. Seliverstova
• -- E. A. Sivkova
• -- E. A. Suhova
• -- E. A. Zolotykh S. V. Fedoseev
• -- E. B. Nikitina Y. A. Silionova
• -- E. E. Ivanovа
• -- E. E. Prikazchikova
• -- E. E. Vakhnenko
• -- E. E. Zavyalova
• -- E. F. Shefer
• -- E. G. Belova
• -- E. G. Dotsenko
• -- E. G. Novikova
• -- E. Gershiova N. Smirnova
• -- E. I. Kanarskaya
• -- E. I. Lesis
• -- E. I. Pipko
• -- E. I. Plotnikova
• -- E. K. Sozina
• -- E. K. Sozina L. P. Yakimova
• -- E. Kollarova N. A. Kupina
• -- E. M. Markova
• -- E. N. Basovskaya
• -- E. N. Bekasova
• -- E. N. Bryukhanova A. M. Malyavina
• -- E. N. Ivanova
• -- E. N. Kashapova E. V. Yakovleva
• -- E. N. Khrushcheva
• -- E. N. Proskurina
• -- E. N. Proskurina S. Ermolenko
• -- E. N. Shirokova
• -- E. N. Tchaikovskaya
• -- E. N. Volodina
• -- E. R. Bikbaeva
• -- E. R. Bikbayeva